Vintage Movies: “Deliverance”

MAGNET contributing writer Jud Cost is sharing some of the wealth of classic films he’s been lucky enough to see over the past 40 years. Trolling the backwaters of cinema, he has worked up a list of more than 100 titles—from the ’20s through the ’80s—that you may have missed. A new selection, all currently available on DVD, appears every week.

Deliverance (1972, 109 minutes)

What was planned as a leisurely weekend voyage by canoe down a majestic waterway carved into the Georgia outback turns into a desperate struggle for survival. Four city dwellers are intent on seeing the pristine Cahulawassee River before it’s ruined by the construction of a dam downstream to create hydro-electric power. “You wanna talk about the vanishing wilderness?” says Lewis. “This is just about the last, wild, untamed, unpolluted, un-fucked-up river in the South. They’re drownin’ this river. It’s just gonna be a big, dead lake.”

Ed (Jon Voight) has convinced Lewis (Burt Reynolds), an experienced bow-hunter, to lead a group that also includes wilderness neophytes Bobby (Ned Beatty) and Drew (Ronny Cox). The foursome has traveled deep into hillbilly country to hire someone to drive their vehicles, a land rover and a station wagon, to the end of their journey. “I’ll have you back in Atlanta by Sunday afternoon, in time to watch the football game,” says Lewis.

“We may just be at the end of the line,” says Bobby smugly as he kicks at a pile of junk in front of a rustic home that doubles as a filling station. “Hey, not so loud. Let’s not upset these people,” warns Ed, as Lewis leans on the horn to roust somebody. “Hey, mister, I love your hat,” smirks Bobby at the old geezer pumping gas who’s pulled the brim of his battered stetson down around his face. “You don’t know nothin’,” says the old-timer.

With vague directions, Lewis finds the log cabin of the Griner brothers. “Can you and your brother drive two cars down to Aintry for us?” asks Lewis. “Fer what?” replies the surly Griner. “Me and my buddies are takin’ a canoe trip down the Cahulawassee,” explains Lewis. “A canoe trip! What the hell you wanna fuck around with that river for?” “Because it’s there,” answers Lewis pompously. “It’s there all right,” says Griner. “You get in there and can’t get out, you gonna wish it wasn’t.”

The Griner boys agree to drive the two cars for forty bucks and hop into their rusted-out tow-truck. Lewis cuts them off in the land rover, determined to find the river on his own. “You don’t think we oughta let them show us where the river is?” asks Ed. “If I thought that, I’d let them go first,” says Lewis, who pulls into a dead-end and has to back up. “Where you goin,’ city boy?” says one Griner. “It ain’t nothin but the biggest fuckin’ river in the state!” carps the other.

Sensing the river over the engine’s racket, Lewis slams on the brakes and climbs cat-like over a fallen tree trunk. “This is it,” he says, pulling back a branch to reveal the sleepy grandeur of the Cahulawassee. It will not remain peaceful for long.

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From The Desk Of Chuck Prophet: Alex Anderson

On his 10th studio album, Temple Beautiful (Yep Roc), Chuck Prophet found his muse in the city he’s called home for 30 years. Exploring the local landmarks and myths with friend and poet klipschutz, Prophet winds his way through San Francisco, stretching tales even taller along the way. But this guided tour isn’t a detailed and prefabricated concept album, so much as it’s the product of spontaneous inspiration, and it’s not a document of the city’s past as much as it is of its present. Prophet will be guest editing magnetmagazine.com all week. Read our new Q&A with him.

Prophet: Rocky The Flying Squirrel, Bullwinkle, Dudley Do-Right and Crusader Rabbit. If you recognize those names, they assume a certain, almost holiness for you: sitting by the TV as a kid, in simpler days, when only the Russians were out to get us.

My manager, Dan Kennedy, lost his father, Alex Anderson (not to be confused with Big Al Anderson), in 2010. Anderson created all of these characters. It is another one of those great American stories that started in a garage. Way back in the day, Anderson and his childhood friend and eventual business partner, Jay Ward, worked out of a studio apartment and a duplex garage in Berkeley, Calif., to crank out some 195 episodes of Crusader Rabbit.

While Anderson, a laid-back guy, was always generous toward his partner in crediting him with the business side of Rocky And Bullwinkle, it took a lawsuit against Ward’s estate for Dan’s father to get recognition as creator. (Though not all that publicly; you won’t find his name at the beginning of any of the films released by Universal. Rather than seeing “Created by Alex Anderson” you will see “Developed by Jay Ward.”) In conversations on the topic, Dan, himself a mild-mannered dude, is always quick to say, “Jay Ward created nothing! That’s like me taking credit for Chuck’s songs.”

When his dad passed away, I sensed Dan was pretty determined to set the story straight. As it turned out, he didn’t have to do much, since the press kept the family phone ringing for days. The family went into high gear filling in details on Anderson’s life, and Dan frantically scanned family photos, running to Kinko’s to meet deadlines.

Dan’s put up with more than his share of my hi-jinx over the years and always leans on what’s right for me as an ar-teest or whatever you want to call it. And all these years later we’re still doing it: making records and making the gigs happen. Sometimes we wander into grandiose territory, other times we’re just trying to keep the van running. Dan credits the relationship with his father for his affinity for artists, and his father’s lack of full recognition for why he is so hell bent on being fair. And he is fair. Sometimes to a fault if you ask me. But, oh well, I suppose that explains why we affectionately refer to him around here as “Iowa Boy.”

Anyway, it’s an all-American saga. A Sam Phillips/Elvis/Sun Records kind of story. About a guy laying it out there in an effort to connect with people and express himself and his ideas. And what could be cooler than that?

When Dan wanted a logo for his management company, he asked his dad to draw one. The Mummyhead Music logo pleases me to look at. It’s on all the record’s we put out now.

Video after the jump.

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Film At 11: The Cranberries

Memory marches on. This seemed to be a theme in both music and videos during the past year, and now at the turn of 2012, it presses forward. The Cranberries follow the trend closely in their just-released video for “Tomorrow”: Brief stills and scenes projected on a wall behind the band punctuate a casual performance of the song. Of course, periodic, surreal shots of frontwoman Dolores O’Riordan shake things up a bit every few lines, as she ruminates on the human condition while bound in rope. Visually, the video doesn’t push beyond any frontiers, but it’s still well-made and even layered enough to warrant your attention. Watch “Tomorrow” below, and look out for the Cranberries’ new album, Roses (Cooking Vinyl/Downtown), out February 28.

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TiVo Party Tonight: The Fray, 2CELLOS, 50 Cent, The Cranberries, Alabama Shakes

Ever wonder what will happen during the last five minutes of late-night TV talk shows? They let musicians onstage! Here are tonight’s notable performers:

The Late Show With David Letterman (CBS): The Fray
The Colorado band is celebrating today’s release of new album Scars And Stories.

The Tonight Show With Jay Leno (NBC): 2CELLOS
Luka Sulik and Stjepan Hauser are likely to play their battling-cello hit cover of Michael Jackson’s “Smooth Criminal.”

Jimmy Kimmel Live! (ABC): 50 Cent
50 Cent is performing in Indianapolis.

Late Night With Jimmy Fallon (NBC): The Cranberries
Irish alternative rockers the Cranberries are promoting Roses, due out February 27.

Conan (TBS): Alabama Shakes
Virginia’s Alabama Shakes are plugging debut full-length Boys & Girls, which drops April 10.

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From The Desk Of Chuck Prophet: Travis Somerville, Painter

On his 10th studio album, Temple Beautiful (Yep Roc), Chuck Prophet found his muse in the city he’s called home for 30 years. Exploring the local landmarks and myths with friend and poet klipschutz, Prophet winds his way through San Francisco, stretching tales even taller along the way. But this guided tour isn’t a detailed and prefabricated concept album, so much as it’s the product of spontaneous inspiration, and it’s not a document of the city’s past as much as it is of its present. Prophet will be guest editing magnetmagazine.com all week. Read our new Q&A with him.

Prophet: I root for the home team; it’s how I’m wired. This isn’t exactly a disclaimer—I don’t know what it is—but here comes another friend of mine I want to pimp a little.

His grist is the mythical South. On canvas he mixes it up: part litho, part collage, part oil paint, part found photographs. His name is Travis Somerville. Here’s the thing: Everybody comes to San Francisco from somewhere else. And Travis, a preachers kid from Atlanta, is no exception.

In this world of one-percenters and 99-percenters, you don’t have to stare long at his paintings to see Travis knows that oppression and greed is nothing new. Meanwhile, Travis keeps one eye on the road ahead and one on the rear view mirror for juicy road kill. Like Malcolm X in Nike shoes. One of my favorites Somerville titles is The Raft Of The Grand Wizard.

When the Catherine Clark Gallery had the good taste to pick up Travis back in 1995 or so, I was there. Since then, the rest of the world—as the rest of the world will—has slowly caught on. He’s picked up some deep-pockets collectors along the way too, Whoopi Goldberg among them. Could Ted Danson be next?

If you’re in S.F., pay Travis a visit at his studio. He’s out there in the toxic wasteland of Hunters Point. I’ve hung out with him in his studio and I can tell you one thing: He’s always got great music playing.

Rock out with your brushes out!

Video after the jump.

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MP3 At 3PM: Italian Japanese

The newest single from SoCal’s Italian Japanese is a dejected anthem that tells the sad story of being in love but realizing things aren’t meant to be. ”Two Islands” has a warm, hazy layer on top, fervent vocals and a solid indie-rock base that’s incredibly easy to listen to. “It’s a relationship song about being in love with someone and then realizing that you’re basically living on two different islands and there’s no way this is going to work,” says frontman Allen Nicholas. “It’s coming to the realization that this person that you want to be with, it’s impossible, it’s just not going to work out.” Download “Two Islands” below.

“Two Islands” (download):

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120 Reasons To Live: Blur

Nothing did more to further the cause of Alternative Nation-building than 120 Minutes, MTV’s Sunday-night video showcase of non-mainstream acts. For nearly two decades, the program spanned musical eras from ’80s college rock to ’00s indie, with grunge, Britpop, punk, industrial, electronica and more in between. MAGNET raids the vaults to resurrect our 120 favorite and unjustly forgotten videos from the show’s classic era.

#95: Blur “There’s No Other Way”

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The only point worth making about Blur’s first video appearance on 120 Minutes has to do with contextualization and expectation. At best, it seemed like Blur might be of Charlatans-level interest, and even hardcore stateside anglophiles wouldn’t have rated the band higher than, say, Chapterhouse or Moose. You could argue that Blur’s songwriting didn’t necessarily get any better than “There’s No Other Way”—the group just went on to do things differently.

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New Music Tuesday: Of Montreal, A Place To Bury Strangers, Plimsouls, Mark Lanegan Band And More

To celebrate today’s crop of releases, here are new mp3s from Big Sir, Liz Greene, Francis Harris, Mark Lanegan Band, Scott Matthew, of Montreal, A Place To Bury Strangers, the Plimsouls, Pretty Good Dance Moves, Chuck Prophet, Royal Baths, Silver Swans and Sharon Van Etten. Also, vote for your favorite of today’s new releases.

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From The Desk Of Chuck Prophet: Klipschutz, Songsmith And Poet

On his 10th studio album, Temple Beautiful (Yep Roc), Chuck Prophet found his muse in the city he’s called home for 30 years. Exploring the local landmarks and myths with friend and poet klipschutz, Prophet winds his way through San Francisco, stretching tales even taller along the way. But this guided tour isn’t a detailed and prefabricated concept album, so much as it’s the product of spontaneous inspiration, and it’s not a document of the city’s past as much as it is of its present. Prophet will be guest editing magnetmagazine.com all week. Read our new Q&A with him.

Prophet: Once when I was playing on some tracks for this actress, I told her klipschutz was my favorite poet. Later when she mentioned it to him, he turned and asked me who my second favorite poet was. I couldn’t think of one. Uh … Smokey Robinson? I first met klipschutz (pen name of Kurt Lipschutz) in the early ’90s at the Albion (pictured above). He was an “offstage member” of Bone Cootes & The Living Wrecks. They had something going on. Fast forward and he got a few co-writes on my second record.

Since then we’ve written a lot more, with a 10-year interruption when we had a falling out over “creative differences.” I’d always wanted to have a falling out over “creative differences,” and it was everything I hoped it would be. A while back, klip was very much unemployed and we ran into each other. A year later, we’d written Temple Beautiful.

He doesn’t like having his picture taken.

I’m not exactly a tech head, but I feel like one around klip. He doesn’t have a cell phone (but borrows mine), is not on Facebook or Twitter, doesn’t have a laptop. Still and all, even though Steve Jobs said he often wished he’d been a poet in Paris, klipschutz actually is one, in our own little Paris of California: San Francisco.

klip has books. You can find them if you look, hard. (Don’t talk me about rock and the underground. Try poetry sometime; you’ll need a shovel.) His first one, The Erection Of Scaffolding For The Re-Painting Of Heaven By The Lowest Bidder is a true collector’s item (100 copies).

You can read his stuff in magazines here: Evergreen Review, Fogged Clarity and Pedestal.

In 2006, klip started Luddite Kingdom Press and folded every page in 150 copies of All Roads…But This One. You have to see it to believe it. Unfortunately, klip was fighting an illness for the last six months and the website disappeared. But wait, he just called and said it’s back up, thanks to a hero in Colorado named Jeff Bahr. (Now he says he’s joining Facebook.) Apparently, the PayPal button on the site is broken.

Video after the jump. Read More »

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Film At 11: Meat Puppets

Longtime MAGNET faves (and former guest editors) the Meat Puppets recently released 13th studio LP Lollipop (Megaforce). The dozen-track album was produced by frontman Curt Kirkwood at Spoon’s HiFi Studio in Austin and proves the trio is as relevant as ever. Watch the video for Lollipop track “Damn Thing” below, download an mp3 of the song, and read our 2009 Q&A with Cris Kirkwood and our 2007 career overview on the band.

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