Category: MAGNET FEEDBACK
MAGNET Feedback With Madeleine Peyroux
Nowadays, there seems to be more music available and fewer curated places to look for what’s out there. I admit
MAGNET Feedback With The Minus 5’s Scott McCaughey
The folks at MAGNET saw fit to give me a crack at Feedback, and I’m honored. They must know me
MAGNET Feedback With Chris Collingwood
Fountains Of Wayne singer/guitarist Chris Collingwood just released his first solo album, Look Park (Yep Roc). After writing more than
MAGNET Feedback With Bruce Hornsby
Grammy Award winner Bruce Hornsby is a music icon. From his albums with the Range in the ’80s through his
MAGNET Feedback With Beth Orton
So here are a number of songs I’ve chosen for MAGNET. I relate to music as it relates to my
MAGNET Feedback With Britta Phillips
You know Britta Phillips from the bands Luna and Dean & Britta, but now she has a debut solo album,
MAGNET Feedback With Eric Bachmann
We’ve been fans of Eric Bachmann since the very beginning. His first band, Archers Of Loaf, was as essential as
MAGNET Feedback With Michael Cerveris
It’s one thing to be a creative quadruple threat (film actor, stage actor, television actor, musician); it’s another thing entirely
MAGNET Feedback With Eleanor Friedberger
What do the songs “Anything You Want” by Spoon and “Eleanor Put Your Boots On” by Franz Ferdinand have in
MAGNET Feedback With Kinky Friedman
For The Loneliest Man I Ever Met, his first new studio album in 32-plus years, Texas-based songwriter, essayist, cookbook author
MAGNET Feedback With Maynard James Keenan
One can easily imagine piss-taking Tool frontman Maynard James Keenan smirking while fanboys squirm in anticipation of the prog-metal outfit’s
MAGNET Feedback With Craig Finn
Hold Steady frontman (and longtime MAGNET fave) Craig Finn has a great new solo album out, Faith In The Future
MAGNET Feedback With Tommy Keene
Musical opinions are entirely subjective, so when MAGNET approached me to offer my thoughts on some songs, both old and
MAGNET Feedback With Chris Stamey
There are a few classic modalities of musical commentary. One is where an observer writes about how the music makes