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	<title>Magnet Magazine &#187; CLASSIC ALTERNATIVES</title>
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	<description>Real Music Alternatives</description>
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		<title>Classic Alternative: Beastie Boys &#8220;Paul’s Boutique&#8221; [Capitol]</title>
		<link>http://www.magnetmagazine.com/2009/02/13/classic-alternative-beastie-boys-paul%e2%80%99s-boutique-capitol/</link>
		<comments>http://www.magnetmagazine.com/2009/02/13/classic-alternative-beastie-boys-paul%e2%80%99s-boutique-capitol/#comments</comments>
		<pubDate>Fri, 13 Feb 2009 16:00:14 +0000</pubDate>
		<dc:creator>MAGNET Staff</dc:creator>
				<category><![CDATA[CLASSIC ALTERNATIVES]]></category>

		<guid isPermaLink="false">http://www.magnetmagazine.com/?p=15737</guid>
		<description><![CDATA[By the time 1988 arrived (think hard, now: Poison, Def Leppard, Debbie Gibson and George Michael’s “Faith” comprised the day-glo pop soundtrack of the moment), the Beastie Boys had already experienced a full career by generally accepted hip-hop standards: a number-one album (1986’s Licensed To Ill, the first hip-hop release to go to the top [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Classic Alternative: Girls Against Boys &#8220;Venus Luxure No. 1 Baby&#8221; [Touch And Go]</title>
		<link>http://www.magnetmagazine.com/2009/01/02/girls-against-boys-venus-luxure-no-1-baby-touch-and-go/</link>
		<comments>http://www.magnetmagazine.com/2009/01/02/girls-against-boys-venus-luxure-no-1-baby-touch-and-go/#comments</comments>
		<pubDate>Fri, 02 Jan 2009 06:00:18 +0000</pubDate>
		<dc:creator>MAGNET Staff</dc:creator>
				<category><![CDATA[CLASSIC ALTERNATIVES]]></category>

		<guid isPermaLink="false">http://www.magnetmagazine.com/?p=960</guid>
		<description><![CDATA[Dateline 1993: Lollapalooza moshed its way down Main Street while Billy Corgan, Eddie Vedder and Zack de la Rocha vented about spaceboys, elderly women in small towns and killing in the name of, respectively. Outside the rage cage, something genuinely alternative was taking shape: a sleazy brand of bottom-heavy rock trafficking in seduction-as-bloodsport. The Afghan [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Classic Alternative: The Ocean Blue &#8220;The Ocean Blue&#8221; [Sire/Reprise]</title>
		<link>http://www.magnetmagazine.com/2008/06/09/classic-alternative-the-ocean-blue-the-ocean-blue-sirereprise/</link>
		<comments>http://www.magnetmagazine.com/2008/06/09/classic-alternative-the-ocean-blue-the-ocean-blue-sirereprise/#comments</comments>
		<pubDate>Mon, 09 Jun 2008 16:56:42 +0000</pubDate>
		<dc:creator>Eric T. Miller</dc:creator>
				<category><![CDATA[CLASSIC ALTERNATIVES]]></category>

		<guid isPermaLink="false">http://www.magnetmagazine.com/?p=3099</guid>
		<description><![CDATA[If Echo &#38; The Bunnymen were the template for early-’80s modern rock—from Ian McCulloch’s gravity-defying hairdo to the Liverpool band’s omnipresent trenchcoats and rainy-day outlook—then the Ocean Blue brought up the tail end of that decade in similarly iconic fashion. When it was signed by Sire Records boss Seymour Stein (the man who gave the [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Classic Alternative: Green River &#8220;Dry As A Bone/Rehab Doll&#8221; [Sub Pop]</title>
		<link>http://www.magnetmagazine.com/2007/12/16/classic-alternative-green-river-dry-as-a-bonerehab-doll-sub-pop/</link>
		<comments>http://www.magnetmagazine.com/2007/12/16/classic-alternative-green-river-dry-as-a-bonerehab-doll-sub-pop/#comments</comments>
		<pubDate>Sun, 16 Dec 2007 17:00:00 +0000</pubDate>
		<dc:creator>Eric T. Miller</dc:creator>
				<category><![CDATA[CLASSIC ALTERNATIVES]]></category>

		<guid isPermaLink="false">http://www.magnetmagazine.com/?p=3063</guid>
		<description><![CDATA[Due to frequent championing by Kurt Cobain, the Melvins are regarded by many as the granddaddies of the late-’80s/early-’90s Seattle grunge scene. Predating Buzz Osborne and Co. by at least a year, however, were the true progenitors: Green River. Not only did Green River exemplify the collision of punk, metal and classic rock that became [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Classic Alternative: Moby Grape &#8220;Moby Grape&#8221; [Sundazed]</title>
		<link>http://www.magnetmagazine.com/2007/09/23/classic-alternative-moby-grape-moby-grape-sundazed/</link>
		<comments>http://www.magnetmagazine.com/2007/09/23/classic-alternative-moby-grape-moby-grape-sundazed/#comments</comments>
		<pubDate>Sun, 23 Sep 2007 17:00:44 +0000</pubDate>
		<dc:creator>Eric T. Miller</dc:creator>
				<category><![CDATA[CLASSIC ALTERNATIVES]]></category>

		<guid isPermaLink="false">http://www.magnetmagazine.com/?p=3091</guid>
		<description><![CDATA[If the Monkees were an American-issue, made-for-TV Beatles, then Moby Grape was a tragically misconceived attempt to personify the San Francisco Sound. Initially imagined as a star vehicle for former Jefferson Airplane drummer/future acid casualty Skip Spence, the quintet was thrust into the spotlight by label executives at Columbia, who decided to release 10 of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Classic Alternative: The Cure &#8220;Kiss Me Kiss Me Kiss Me&#8221; [Elektra]</title>
		<link>http://www.magnetmagazine.com/2007/06/24/classic-alternative-the-cure-kiss-me-kiss-me-kiss-me-elektra/</link>
		<comments>http://www.magnetmagazine.com/2007/06/24/classic-alternative-the-cure-kiss-me-kiss-me-kiss-me-elektra/#comments</comments>
		<pubDate>Sun, 24 Jun 2007 17:02:16 +0000</pubDate>
		<dc:creator>Eric T. Miller</dc:creator>
				<category><![CDATA[CLASSIC ALTERNATIVES]]></category>

		<guid isPermaLink="false">http://www.magnetmagazine.com/?p=3111</guid>
		<description><![CDATA[Kiss Me Kiss Me Kiss Me was the Cure’s first album following 1986 breakthrough Standing On A Beach, a singles collection that made a solid case for Robert Smith as pop genius instead of squawking goth goof-off. Kiss Me was his blatant plea to be loved: “Kiss me, your tongue tastes like poison,” he warbles [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Classic Alternative: Buffalo Tom &#8220;Let Me Come Over&#8221; [Beggars Banquet]</title>
		<link>http://www.magnetmagazine.com/2007/04/09/classic-alternative-buffalo-tom-let-me-come-over-beggars-banquet/</link>
		<comments>http://www.magnetmagazine.com/2007/04/09/classic-alternative-buffalo-tom-let-me-come-over-beggars-banquet/#comments</comments>
		<pubDate>Mon, 09 Apr 2007 17:03:05 +0000</pubDate>
		<dc:creator>Eric T. Miller</dc:creator>
				<category><![CDATA[CLASSIC ALTERNATIVES]]></category>

		<guid isPermaLink="false">http://www.magnetmagazine.com/?p=3131</guid>
		<description><![CDATA[Of all the enduring alt-rock templates to come out of New England’s Fort Apache Studios, 1992’s Let Me Come Over may have suffered the most undeserving fate. While the Pixies’ Come On Pilgrim, Dinosaur Jr’s Bug and the Blake Babies’ Earwig had no literal designs on mass appeal, Buffalo Tom’s third album was the sound [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Classic Alternative: The The &#8220;Dusk&#8221; [Sony]</title>
		<link>http://www.magnetmagazine.com/2006/12/15/classic-alternative-the-the-dusk-sony/</link>
		<comments>http://www.magnetmagazine.com/2006/12/15/classic-alternative-the-the-dusk-sony/#comments</comments>
		<pubDate>Fri, 15 Dec 2006 17:04:14 +0000</pubDate>
		<dc:creator>Eric T. Miller</dc:creator>
				<category><![CDATA[CLASSIC ALTERNATIVES]]></category>

		<guid isPermaLink="false">http://www.magnetmagazine.com/?p=3144</guid>
		<description><![CDATA[Alternative rock was at a weird place in May 1993. Pearl Jam and Nirvana ruled the roost with angst and volume, but the rock charts sported a zeitgeisty mix of hits from New Order, Lenny Kravitz, Duran Duran, Primus, Living Colour and Midnight Oil. Smack dab in the middle was The The’s “Love Is Stronger [...]]]></description>
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		<slash:comments>1</slash:comments>
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