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From The Desk Of Shearwater’s Jonathan Meiburg: Morton Feldman’s “Piano And String Quartet”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
From The Desk Of Shearwater’s Jonathan Meiburg: Natalia Almada’s “El Velador”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
From The Desk Of Shearwater’s Jonathan Meiburg: Jim Pepper’s “Witchi-Tai-To” And “Newly-Weds Song”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
From The Desk Of Shearwater’s Jonathan Meiburg: Emahoy Tsegué-Maryam Guèbrou’s “Piano Solo”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
From The Desk Of Shearwater’s Jonathan Meiburg: Marshall Curry’s “Point And Shoot”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
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From The Desk Of Shearwater’s Jonathan Meiburg: Godfrey Reggio And Philip Glass’ “Powaqqatsi” (Film And Soundtrack)
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
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From The Desk Of Shearwater’s Jonathan Meiburg: Peter Matthiessen’s “Far Tortuga”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
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From The Desk Of Shearwater’s Jonathan Meiburg: Nina Simone’s “Nina At The Village Gate”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
From The Desk Of Shearwater’s Jonathan Meiburg: Pat Conte’s “The Secret Museum Of Mankind”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
From The Desk Of Shearwater’s Jonathan Meiburg: T.E. Lawrence’s “The Mint”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
From The Desk Of Shearwater’s Jonathan Meiburg: Patrick Leigh Fermor’s “A Time To Keep Silence”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
From The Desk Of Shearwater’s Jonathan Meiburg: Abner Jay’s “Swaunee Water And Cocaine Blues”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
From The Desk Of Shearwater’s Jonathan Meiburg: Andy Kaufman’s “Plays Carnegie Hall”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
From The Desk Of Shearwater’s Jonathan Meiburg: Laurie Anderson’s “Home Of The Brave”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
