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From The Desk Of The Van Pelt’s Chris Leo: Rubber-Tired Line 4, Paris Métro

The Van Pelt‘s Stealing From Our Favorite Thieves (1996) and Sultans Of Sentiment (1997), in hindsight, provided a number of significant indie-rock mile markers. The band was led by Ted’s brother, Chris Leo; Stealing recorded by Alap Momin (ex-Dälek); bassist Toko Yasuda went back and forth between TVP and Blonde Redhead after that record; and both albums saw the light of day via cult label Gern Blandsten. After being out of print since the turn of the century, the original tapes have been mined for reissue treatment by Spain’s La Castanya, allowing listeners to trace the band from its gorgeously melodic and incendiary, post-hardcore beginnings a la the Jazz June and Texas Is The Reason to a more subdued, Slint-like bent with Leo’s increasingly spoken-word vocal style by the time the last notes ring out on Sultans. Leo will be guest editing magnetmagazine.com all week.

Leo: I wish the French kept demographic info so we could weigh it against that in the States, because riding the Paris Métro you get to stare at all the same shades of humanity. It’s just that the black people are Africans not African-Americans, the brown people are Arabs not Latinos, and the white people are so very Gallic. Plus if you’re lucky enough to be on the Line 4 with rubber tires, you get to bounce your way through the whole thing.