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GUEST EDITOR

From The Desk Of Of Montreal: Shirin Neshat

of Montreal’s music is hard to define, given it changes more often than frontman Kevin Barnes’ sequined and feathered outfits during a live show. One album might be heavy on the drum machine and synthesizer, while another showcases Barnes’ best high-pitched Prince wail with more traditional strings and percussion. The Atlanta band boasts a prodigious body of work; in a decade and a half, Barnes and Co. have churned out 10 albums, eight collections and 29 singles and EPs, including their most recent effort, thecontrollersphere (Polyvinyl). Barnes and of Montreal’s two art directors—wife Nina Barnes (a.k.a. geminitactics) and brother David Barnes—will be guest editing magnetmagazine.com all week. Read our brand new Q&A with him.

Nina: Shirin Neshat is a visual artist from Iran working out of New York. She makes art reflecting on the complexity of women and Islam, in a way that embraces the cultural, social and political implications in a very compelling yet critical way.

Video after the jump.

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FREE MP3s

MP3 At 3PM: Turf War

Atlanta’s rowdy-rock Turf War just signed to Old Flame Records. While making a name for itself on the Augusta, Ga., music scene, the band caught the attention of the Black Lips’ Ian St. Pé, who produced Turf War’s full-length debut. The 11-track Years Of Living Dangerously is out October 18, but in the meantime, you can download album track “Cheers To The Years” below.

“Cheers To The Years” (download):
https://magnetmagazine.com/audio/CheersToTheYears.mp3

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DAVID LESTER ART

Normal History Vol. 127: The Art Of David Lester

Every Saturday, we’ll be posting a new illustration by David Lester. The Mecca Normal guitarist is visually documenting people, places and events from his band’s 27-year run, with text by vocalist Jean Smith.

Broke Like Me
Chapter 1

Fran shakes the sticky jar of garlic powder over the steaming pan of frying onions. Nothing comes out.

“That’s how come it’s stuck,” says Celia. “From the steam.”

Fran goes at the immovable yellowy lump of garlic powder with a knife.

“Celia, why don’t you go and watch TV?”

“When will Syd be home?” Celia asks.

“Don’t call your father Syd,” her mother says, hips wiggling as she mashes the potatoes for shepherd’s pie. From behind, it looks like she’s dancing, but really, Fran doesn’t dance. Celia knows that mashing potatoes is the father’s job. That’s how the Hilroys do it and they’re the most normal family on the street, which is why Celia’s brother wishes he’d been adopted by them. Celia wishes he had been, too.

“I accidentally kicked Miss Whitely today,” Celia says.

“I thought you liked Miss Whitely,” says Fran.

“Accidentally,” Celia says, raising her voice above the sizzling onions. There’s nothing worse than the smell of onions cooking, Celia thinks. She watches her mother add one drop of brown Tabasco sauce to the onions.

“You do know that Tabasco sauce is supposed to be red, right mom?” Celia says. “Bright red. Not brown.”

Fran puts the tiny bottle back in the cupboard with the other rarely used herbs and spices. Oregano, cloves, imitation vanilla.

“Aren’t you going to ask me why I kicked Miss Whitely?”

“You said it was an accident.”

Celia wants to tell her mother how it happened, how Miss Whitely had called her over to her desk to show her the A+ on her essay about the Hottentots of Africa. How Celia was so happy that she spun around on one foot to return triumphantly to her desk and kicked Miss Whitely in the shin. How Miss Whitely hopped around holding her leg, but didn’t yell or swear or anything. It was terrible. Celia felt horrible.

Celia quietly flips through the channels on the TV. Her mother hates the sound of the dial turning. On The Dick Van Dyke Show, Laura is upset because Rob is working late with a beautiful actress.

Categories
GUEST EDITOR

From The Desk Of Of Montreal: “Howl’s Moving Castle” By Hayao Miyazaki

of Montreal’s music is hard to define, given it changes more often than frontman Kevin Barnes’ sequined and feathered outfits during a live show. One album might be heavy on the drum machine and synthesizer, while another showcases Barnes’ best high-pitched Prince wail with more traditional strings and percussion. The Atlanta band boasts a prodigious body of work; in a decade and a half, Barnes and Co. have churned out 10 albums, eight collections and 29 singles and EPs, including their most recent effort, thecontrollersphere (Polyvinyl). Barnes and of Montreal’s two art directors—wife Nina Barnes (a.k.a. geminitactics) and brother David Barnes—will be guest editing magnetmagazine.com all week. Read our brand new Q&A with him.

Nina: Studio Ghibli is everything Disney is not. I dislike having to see the Disney logo on the American English-translated versions; it makes me cringe. Where Disney seems to spit out tale after tale of over simplified 1950s fetishized American morality with strictly mind-numbing plots and vacuous one-dimensional characters (most of the time), Ghibli makes up for it with fantastic stories, complex characters and animation so breathtakingly beautiful that you wanna live in them. Howl’s Moving Castle is one of my favorites, because of its anti-war sentiment and celebration of the beauty of life underneath the surface. Sophie turned 90 by a curse, but then turns more beautiful and more enlightened in her new human form. It’s a beautiful tale of love and friendship. And yes, I have a crush on Howl.

Video after the jump.

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VIDEOS

Film At 11: Toro Y Moi

Toro y Moi, a.k.a. Chaz Bundick, has a new video for “How I Know” from latest LP Underneath The Pine (Carpark). Directed by Jordan Kim, the clip marks the third official video from Bundick’s sophomore album and is a ghost story presented like a scene from a goofy television show. Catch Toro y Moi on a North American tour that lasts until the end of October.