Ever wonder what will happen during the last five minutes of late-night TV talk shows? Here are tonight’s notable performers:
The Tonight Show With Jay Leno (NBC): Dierks Bentley Country artist Dierks Bentley is playing “Am I The Only One” from his upcoming, not-yet-titled album.
Jimmy Kimmel Live! (ABC): Britney Spears
BS is plugging brand new LP Femme Fatale.
Conan (TBS): Panic! At The Disco The Las Vegas band is supporting latest album Vices & Virtues.
Aside from having the coolest name of any punk-leaning Chicago-area band since Big Black, Smoking Popes have been blessed with core fan base that refused to quit on the outfit. When leader Josh Caterer pulled the plug on the Popes in 1998, it came little more than a year after releasing what might have been the group’s best album, Destination Failure, perplexing many but apparently offending few. Seven years later, a sold-out reunion show in the Popes’ hometown was all it took to get Caterer back in a creative mood. From there, Josh and brothers Matt (bass) and Eli (guitar) pretty much picked up where they left off, releasing Stay Down in 2008 and compilation It’s Been A Long Day last year. The new This Is Only A Test (Asian Man) is a concept album that only occasionally comes across as such, with the 38-year-old Josh taking on the role of an angsty teenager to convincing effect. Josh and Matt will be guest-editing magnetmagazine.com all week. Read our new Q&A with Josh.
Matt: I’ve been a fan of the Monkees since I was a little kid. Growing up, I would watch reruns of the TV show, and we had a couple of their albums in our collection. When Josh and I started four-tracking, one of the first songs we did was a punk version of Mike Nesmith’s ‘The Kind Of Girl I Could Love” from More Of The Monkees. And I always thought it was interesting that both the Sex Pistols and Minor Threat covered their “(I’m Not Your) Steppin’ Stone.” As an adult, I got back into them again when I worked at Laurie’s Planet Of Sound record store in Lincoln Square, Chicago. Everyone there had different tastes, but for some reason, the one band we all agreed was awesome was the Monkees, so we listened to them a lot.
Everyone knows the hits, but if you dig deeper, there is a lot of great music there. Nesmith’s contributions to their records helped lay the groundwork for country rock, and the Moog synthesizer on Pisces, Aquarius, Capricorn & Jones Ltd. is the first on a commercial album. Also, I like how the TV series so directly mirrors the times they were living in. They start off as these fresh-faced, eager kids, and everything gets increasingly psychedelic. Like in the final show of the series, where guest star Rip Taylor gets blasted by a cloud of smoke from what is obviously supposed to be a giant marijuana plant (from outer space), and he falls down giggling, saying something like, “I don’t want to fight anymore. I just want to lay down in the grass and be cool.” Silly stuff, but it’s pretty fun.
Their movie Head takes all that to another level. To brainstorm ideas for the film, Nesmith, Davy Jones, Peter Tork and Micky Dolenz holed up in a room at a resort somewhere outside of L.A. with Jack Nicholson. Supposedly, they just smoked a ton of weed and babbled into a tape recorder. Then Nicholson wrote a script based on those tapes. The result is a psychedelic cult classic.
Anyhow, if you’re interested in the Monkees beyond what you hear on oldies radio or on Muzak at the mall and Walgreens, check out the Pisces, Aquarius, Capricorn & Jones Ltd.—and definitely get some friends together, party a little and watch Head. Hey, hey, it’s the Monkees!
Japanese drone/metal trio Boris recently released “Hope,” the first single off Attention Please, one of two new albums the band is releasing May 24 via the Sargent House label. (Heavy Rocks is the other.) Since its debut in 1996, Boris has been known for pushing genre boundaries, and the threesome doesn’t disappoint with its two new LPs. Download “Hope” below.
Nothing did more to further the cause of Alternative Nation-building than 120 Minutes, MTV’s Sunday-night video showcase of non-mainstream acts. For nearly two decades, the program spanned musical eras from ’80s college rock to ’00s indie, with grunge, Britpop, punk, industrial, electronica and more in between. MAGNET raids the vaults to resurrect our 120 favorite and unjustly forgotten videos from the show’s classic era.
#50: Killing Joke “Millennium”
After 49 posts about old 120 Minutes videos, we found out that there are going to be some new 120 Minutes videos. The program will soon be back on MTV2, with Matt Pinfield at the helm. We’re on Team (Dave) Kendall, but it doesn’t really matter; the show’s host has never been as important as the playlist itself. One wish, however, for Phase III of 120 Minutes: In the midst of all the Phoenix and MGMT videos, bridge the gap with previous college-rock generations by drawing from the deep well of clips we’ve been featuring here. They’re not really that old or irrelevant, and many of the videos—despite a deeply entrenched awfulness characteristic of the ’80s visual aesthetic—are still engaging and complex. What’s that? There’s a Killing Joke video above this paragraph? Fuck.