Gary Louris and Mark Olson left Jayhawks fans in a lurch when they parted ways rather abruptly in 1995. Turns out Olson had tired of all the obligations and trappings that came with the Minneapolis-spawned group’s hard-won success. So he escaped to the Mojave Desert to ply a rootsier, salt-of-the-earth trade with the help of wife Victoria Williams. Ah, but time—and perhaps a little fiscal motivation—has a way of smoothing over the rough patches in many productive creative partnerships. (Unless you’re Bob Mould and Grant Hart.) And 15 years later, the Jayhawks have returned to us more-or-less fully intact. For how long, no one really knows, but they just did a string of shows to back the enhanced reissues of 1992’s Hollywood Town Hall and 1995’s Tomorrow The Green Grass (American/Legacy). With their sugary (if unrefined) harmonies, rugged intelligence and casual accessibility, the albums are to the alt-country movement what One Of These Nights and Hotel California were to ’70s SoCal country rock—even if the comparably modest sales figures may not indicate as much. Louris and Olson will be guest editing magnetmagazine.com all week. Read our brand new Q&A with Louris.
Louris: A general category, but let me be slightly more specific. I tend to love music that is unlike the music that comes out of me or what the band I am in makes. I love classical music, I love the Russians, I love Ravel, I love Bach, Beethoven, Schubert, etc. I also love music that tends toward the drone or the non-song, which is funny considering I am known as a singer/songwriter. But I love the music of Can, Neu!, Faust and the modern loops of Steve Reich and John Adams. This is the music I tend to listen to. This and the Zombies, of course. When I play music, it is my ’67 SG that makes me feel whole. And to play with the Jayhawks. That I love.
Video after the jump.
