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What Kinda Man Bleu Is: Egon Schiele

Bleu McAuley had his first (and only) brush with the mainstream back in 2003, when his shifty ode to insecurity, “Somebody Else,” found its way onto the hugely popular soundtrack to the first Spider-Man movie. The tune was also on Bleu’s second album, Redhead, a delectable slab of power-pop bombast and one of the most unjustly overlooked albums of the early 2000s. Seven years and one falling out with Columbia Records later, Bleu knows better than to go sniffing around for scraps amidst the carnage of a dying industry. Recently, he averted any future label shenanigans altogether, appealing directly to his fans for money to make his latest CD, Four (The Major Label). They responded by forking over almost $40,000 via online funding platform Kickstarter. Over the years, Bleu has found highly entertaining ways to celebrate his knob-twiddling heroes. Alpacas Orgling is the 2006 product of his Jeff Lynne-loving collective known as L.E.O. And for LoudLion, he’s recruited Rooney’s Taylor Locke, the Donnas’ Allison Robertson and some other L.A. pals to shamelessly emulate Mutt Lange. The band’s contributions to the Balls Of Fury and The Hills Have Eyes 2 soundtracks couldn’t sound any more like circa-Hysteria Def Leppard if they had spots. Bleu will be guest editing magnetmagazine.com all week. Read our Q&A with him.

Bleu: I like art, and Egon Schiele is one of my favorites. I’ve got a tun of books on the guy, and I even sat through a weird 1980 German film about his life. Not particularly well known now, he was a protege of Klimpt, and he was an early exponent of expressionism. He’s incredibly unique, and despite the fact that he was painting 100 years ago, his work still feels fresh and modern to me. It’s amazing that he died at the age of 28. His output was incredible.

Video after the jump.

http://www.youtube.com/watch?v=Ka60G4WR9AA