 Sam Amidon‘s cover of R. Kelly’s “Relief” becomes more rewarding not so much with each rotation but with each passing refrain. For the patient listener, it communicates a great depth of character, as the initial interplay of banjo, violin, piano and acoustic guitar slowly invites cello, xylophone, woodwinds and Amidon’s relaxed, porch-perfect vocals into a playful and calming river of sound. The cover, unlike Kelly’s more straightforward R&B styling, flutters and pulsates, making the near-campy lyrics (“What a relief to know that there’s an angel in the sky”) much more palatable and believable. In the broader sense, Amidon’s choice of a slick, groovy Kelly joint is worthy of its own merit, too, revealing at the very least a great sense of humor, if not a decidedly pliable taste in music. Amidon’s third LP, I See The Sign, arrives Tuesday via the Bedroom Community label.
Sam Amidon‘s cover of R. Kelly’s “Relief” becomes more rewarding not so much with each rotation but with each passing refrain. For the patient listener, it communicates a great depth of character, as the initial interplay of banjo, violin, piano and acoustic guitar slowly invites cello, xylophone, woodwinds and Amidon’s relaxed, porch-perfect vocals into a playful and calming river of sound. The cover, unlike Kelly’s more straightforward R&B styling, flutters and pulsates, making the near-campy lyrics (“What a relief to know that there’s an angel in the sky”) much more palatable and believable. In the broader sense, Amidon’s choice of a slick, groovy Kelly joint is worthy of its own merit, too, revealing at the very least a great sense of humor, if not a decidedly pliable taste in music. Amidon’s third LP, I See The Sign, arrives Tuesday via the Bedroom Community label.
“Relief” (download):
https://magnetmagazine.com/audio/Relief.mp3













