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TIVO PARTY TONIGHT

TiVo Party Tonight: Harper Simon, Wolfmother, Har Mar Superstar

TIVOhmss4857Ever wonder what will happen during the last five minutes of late-night TV talk shows? Here are tonight’s notable performers:

The Late Show With David Letterman (CBS): Harper Simon
Harper Simon, son of the legendary Paul Simon, will perform on Kimmel tonight. Harper has just released his self-titled and self-produced album on his Tulsi Records.

The Tonight Show With Conan O’Brien (NBC): Wolfmother
Wolfmother is promoting the release of its new album Cosmic Egg, due out tomorrow, as well as its extensive world tour, which will keep the Australians busy rocking out into March.

Late Night With Jimmy Fallon (NBC): Har Mar Superstar
Har Mar Superstar is set to perform on Fallon tonight in support of its new album Dark Touches and its world tour which will travel through December. Sean Tillman, the face of Har Mar, may also be promoting his role in Drew Barrymore’s Whip It as well as his blossoming screenwriting career.

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GUEST EDITOR

Give Patrick Carney Some: Doritos

Patricklogo100eFYou probably know drummer Patrick Carney as half of the Black Keys, the acclaimed Akron, Ohio, duo he formed in 2001 with guitarist/vocalist Dan Auerbach. But Carney has been equally prolific with his own ventures, including Audio Eagle (his record label and recording studio) and now Drummer (a band featuring four other Ohio skinsmen that just released Feel Good Together). Carney, the nephew of multi-instrumentalist Ralph Carney (Tom Waits, They Might Be Giants), always seems to have a lot going on, including Blakroc (a Black Keys project with rappers such as Jim Jones, Mos Def, Q-Tip, RZA and Ludacris with an album due next month) and a Black Keys New Year’s Eve show in Chicago. Carney will also be guest editing magnetmagazine.com this week. Read our Q&A with him.

DORITOSCarney: I know somebody who works in marketing for Frito-Lay. She’s fairly high up there on the totem pole, and amongst her very important responsibilities is, when filming a commercial, locating and isolating the perfect, most photogenic Dorito. Her search can consume hundreds of bags; that’s thousands of Doritos, natch. After sorting through case after case of imperfect, broken, unworthy chips, she finally comes up with a small handful of supermodel Doritos. But what makes these Doritos so perfect? Just because Frito-Lay likes their chips to be perfectly symmetrical with powder evenly distributed, are those really my favorite Doritos? Who’s to say that that is what makes a Dorito perfect? When you open a bag of Doritos, you’re not looking for the Gisele Bündchen of chips; you want that broken-ass Dorito sliver at the bottom of the bag that’s been soaking in everyone else’s processed cheese powder, right? You want that fat little imperfect Dorito that curled up on itself while cooking (is that how they make Doritos—they’re cooked?) or the one that’s stuck to the back of the other Dorito, creating some kind of two-headed Super Dorito. Maybe this is why I don’t feel like Dorito commercials speak to me as a consumer. Maybe if the commercials spent less time worrying about the most perfectly formed Dorito and spent more time focusing on the good Doritos—the little malformed circus freak ones you know you like more—then we’d all give in to their extreme flavors and over-the-top cheesiness that much more willingly. Just a thought, Frito-Lay. Video after the jump.

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FREE MP3s

MP3 At 3PM: The Happy Hollows

happyhallows373Spells, the debut by hotly hyped Los Angeles trio the Happy Hollows, hit the shelves on October 6, but that doesn’t mean that they’re taking any time off. They’re currently on a short U.S. tour before a five-date residency at L.A.’s famed Spaceland club, and they’ve released “High Wire” as a free mp3. As usual, vocalist Sarah Negahdari carries the day with style and verve—and an absolutely killer set of pipes. As a bonus, here’s a second and third mp3: “Faces” and “Monster Room.”

“High Wire” (download):
https://magnetmagazine.com/audio/HighWire.mp3 

“Faces” (download):
https://magnetmagazine.com/audio/Faces.mp3

“Monster Room” (download):
https://magnetmagazine.com/audio/MonsterRoom.mp3

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FREE MP3s GUEST EDITOR INTERVIEWS

A Conversation With The Black Keys’ Patrick Carney

Honestly every one needs to buy the new royal bangs record it is amazing.
PatrickCarney550

You probably know drummer Patrick Carney as half of the Black Keys, the acclaimed Akron, Ohio, duo he formed in 2001 with guitarist/vocalist Dan Auerbach. But Carney has been equally prolific with his own ventures, including Audio Eagle (his record label and recording studio) and now Drummer (a band featuring four other Ohio skinsmen that just released Feel Good Together). Carney, the nephew of multi-instrumentalist Ralph Carney (Tom Waits, They Might Be Giants), always seems to have a lot going on, including Blakroc (a Black Keys project with rappers such as Jim Jones, Mos Def, Q-Tip, RZA and Ludacris with an album due next month) and a Black Keys New Year’s Eve show in Chicago. Carney will also be guest editing magnetmagazine.com this week. Read our 2005 Black Keys feature.

MAGNET: Drummer started playing together about the time Dan’s solo record (2008’s Keep It Hid) came out. Did one have to do with the other?
Carney: Yeah. He put out his solo record, and I had about five months with nothing to do. So I started a band with the intention of making a record and playing some shows.

How did you pick which drummer from Drummer would get to drum in the band? Is it because Greg (Boyd) can’t play any other instruments?
Well, no one wanted to drum except Greg, so he became to the drummer of Drummer. I really wanted to play guitar, but Jamie (Stillman) wanted in the band, so I switched to bass since he’s a much better guitar player.

How does Drummer compare to other “supergroups” that formed around its members playing the same instrument, such as GTR (Steve Hackett and Steve Howe) and Freebass (Peter Hook, Andy Rourke and Mani)?
I’ve never listened to these horrendous-sounding projects, but we are probably similar.

Would you guys win in a fight with them since you guys are drummers?
We would win in a fight. I can’t fight, but Jon (Finley) and Steve (Clements) probably can. Greg and I could probably start a fight pretty good, though.

Now that you have a record out and have toured, do you see Drummer continuing as an ongoing endeavor? Or will it be more a one-off thing?
I would like to do another record and some more shows, but the next year is going to be really busy for me. So we’ll see when it actually happens.

Who is the best drummer to ever come out of Ohio?
Best drummer from Ohio? I don’t actually know. There are lots of great drummers from Ohio. Just because I’m from Akron, I’m going to say Alan Myers of Devo.

What is your favorite drummer joke?
I don’t really get drummer jokes.

What can you tell us about Blakroc?
It’s awesome. Buy it when it comes out.

What’s upcoming on your Audio Eagle label?
Another Other Girls record next year and probably some seven-inches and lots of other cool shit, provided I make my money back off the last three releases. Honestly, everyone needs to buy the new Royal Bangs record. It’s amazing.

—Eric T. Miller

Drummer’s “Feel Good Together” (download):

Categories
WRENS WATCH

Wrens Watch, Oct. 26, 2009

wrenswatchWe’ve been fans of New Jersey’s finest since even before their first album came out back in 1994, so let’s just say we’re used to sitting around waiting for them to take their sweet-ass time putting out new music. (Three albums in more than 14 years makes the Wrens about as prolific as Boston, which is kind of like being as tall as John Keats.) As reported in a Wrens Watch Special Report, January 9 marked a huge milestone for the guys: guitarists Charles Bissell and Greg Whelan, bassist Kevin Whelan and drummer Jerry MacDonald. They issued “Pulled Fences,” their first new (well, sort of new) song since 2003’s The Meadowlands. Perhaps motivated by finally releasing something, the band convened—not in a real studio, but in Kevin’s basement—40 weeks ago to begin work on its new album. And not only that, the Wrens recorded an actual song (which you can download for free here). When we checked in with Bissell 37 weeks ago, he took exception with our good-natured sarcasm and quickly ended the interview. After ignoring us for a while, Bissell finally gave us a progress report; it seems that while other bands get together and record, the Wrens stay apart and talk to each other on the phone. Or they do nothing at all. Or they update their Facebook pagesThirty-two weeks ago, Bissell informed us he was “too busy” to respond to our questions, but he did promise us some exclusive Wrens mp3s in the near future. Thirty-one weeks ago, he didn’t even bother responding to our emails, prompting us to call him an unprolific Ryan Adams. That got Bissell’s attention, who 30 weeks ago apologized (profanely) and promised us an exclusive Wrens mp3 for the April 6 Wrens Watch. After not delivering, he said he’d come through the next week, but he didn’t. When Bissell ignored us again (Wrens Watch, April 20 and April 27), we speculated the Wrens were actually recording. Or maybe Bissell was just being a jerk. But then he told us 25 weeks ago he’d have a new Wrens mp3 for us. And guess what? The man finally came through. Download a demo of “Z,” which was written and performed by Kevin. We emailed Bissell numerous times to thank him for “Z” and ask him how the new record is progressing, but like we told you 23 weeks ago, he was unresponsive. He did email us a photo for 22 weeks ago, though, so we had that going for us. Which was nice. Twenty-one weeks ago, we got an email from Bissell saying, “Headed to bed but might have something for you.” As reported 20 and 19 weeks ago, other than a strange email from him referencing Fat Albert, we hadn’t heard from him since. Eighteen weeks ago, we told you that Bissell, apparently on vacation, said he would have a new song for us “as soon as I get home on Saturday,” but he never came through. Bissell returned our emails 17 weeks ago, but he didn’t send any new Wrens music. He did, however, send a truly tasteless Michael Jackson joke, and since it was actually funny enough for us to tell it to others, we gave Bissell a pass. Sixteen weeks ago, Bissell—on vacation yet again—emailed to say, “Maybe I can actually send a song to you after I get home Sunday.” Then guess what? He emailed us his first new Wrens demo, and like we told you 15 weeks ago, it’s a really good song. Fourteen weeks ago, Bissell emailed us to say he recorded another new demo, but he’s keeping that one for himself. He also said, “Smellmineitsucks,” whatever that means. Though we emailed Bissell repeatedly 13 weeks ago, we didn’t even get so much as a “Smellmineitsucks.” Twelve weeks ago, Bissell sent this missive: “We gonna see ballgame this summer? And I don’t mean a view of you working your pockets on a street corner.” (We think Bissell just might have a shot at a cameo in the next Judd Apatow movie, Unfunny People.) Anyway, Bissell was supposed to respond to us with his thoughts on the recent 20th anniversary of the first live show by the band that eventually came to be known as the Wrens, but he didn’t. Eleven weeks ago, we did get an email saying he didn’t have enough free time to “justify replying to explanatory spam from MAGNET,” so maybe Bissell is a (mildly) funny person after all. Ten weeks agonine weeks ago and eight weeks ago, we got nothing. Seven weeks ago, we did find out that the Wrens have shows at Maxwell’s in Hoboken, N.J., scheduled for December 3 and 4, but we didn’t learn this from Bissell. Six weeks ago, Bissell emailed us a number of times, but he didn’t answer any Wrens-related questions. We did find out that he is playing a solo benefit show in Brooklyn on October 28 with They Might Be Giants and Nada Surf (they should call it Nerd Aid), but again, we didn’t learn this from Bissell. Five weeks ago, when asked what was new with the Wrens, Bissell responded, “Nothing. No things. At all. No recording, no new songs, no get-togethers.” Four weeks ago, we learned that the first Maxwell’s show will feature a setlist voted on by fans via the Wrens website (we requested “Brand New Apartment”), while the second will be comprised of as many news songs the band can play. You get the feeling the first show will probably be much longer than the second one. Three weeks ago, Bissell emailed us to say the Wrens have added a third Maxwell’s show (December 4 at 7:30 p.m.), for which they’ll play The Meadowlands from start to finish. When we told him that Greg mentioned to us that the band has been working on 120 new songs, Bissell replied, “You know how it is, applying the uncertainty principle, both are true. Until you try to confirm either one. So yeah, remember, Kevin’s been demoing the last year or two for the first time? He’s now got more than 100 songs, some totally fleshed out, some just sketches, many really good. And he and Greg have been going over them a couple nights a week. So yeah, from one perspective, the record’s almost done. Nevertheless, we have not recorded a note, so the record is both well under way and yet not even begun.” Uh, that clears things up. Two weeks ago, all we found out was that the Wrens have a Washington, D.C., show scheduled for November 20 at the Black Cat. Last week, when we asked if there would be other shows that weekend, Bissell responded, “No, not this time. You know us. It’s like the Army Reserve: one weekend a month and just two weeks a year. Without the ‘two weeks a year’ part.” This week, Bissell responded to our emails, but he said nothing of interest, other than he’d have some news for next week.