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TOUR DIARY

Rock Plaza Central Tour Diary, Part 4

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Rock Plaza Central‘s 2007 album Are We Not Horses was an elaborately plotted and immaculately conceived album that brought the Toronto band’s Northern-gothic folk/rock accolades from both critics (MAGNET named it one of the year’s 10 hidden treasures) and academics (frontman Chris Eaton’s 2004 book The Inactivist was taught alongside Horses in a graduate English course at the University of South Alabama). Last month, RPC hit the road to support the release of this year’s … At The Moment Of Our Most Needing, and bassist Scott Maynard filed a tour diary for magnetmagazine.com. If you missed Rock Plaza Central this summer, catch the group on its U.S. tour with the Weakerthans in September.

Guelph, Ont., July 25
Well, we made it across the country in four days, and we didn’t kill each other—or anyone else for that matter. It doesn’t matter how much love there is; if you stick five people in an enclosed space, deprive them of sleep and decent food, there’s gonna be some fireworks at some point. But we made it to Guelph on time and met up with drummers John Whytock and Blake Howard for possibly the best show so far. That bar has been raised several times recently, especially since we started playing with two drummers, and I love that it keeps getting better.

If the Vancouver experience made up for all the driving to get out there, last night makes me want to do the whole thing over again. It was an incredible experience: maybe a thousand people crammed into the lake tent, singing and dancing, both drummers going for it, an onstage wedding … When I finally got back to the hotel in the wee hours of the a.m., I couldn’t find my bag with my stuff in it, so I called the front desk to run me up some toothpaste, a toothbrush and some mouthwash. Within minutes, there it was at my door. This morning, I feel like a rock star (maybe it’s the hangover). Of course, with a room to myself, I wake up at 6:30 a.m. and can’t sleep, so I’m currently enjoying a complimentary continental breakfast, courtesy of this rather schmancy hotel.

The band has a day off today at Hillside before we drive to Chicago tomorrow. For me, the best part of the festival scene is the workshops. Stick a bunch of musicians who may or may not know each other (or even speak the same language) on a stage, add a crowd and see what happens. Often, the results are magical: one-time-only, fly-by-the-seat-of-your-pants collaborations. For the most part, the musicians let down the walls and just play, for fun and for the moment. For others, it’s a chance to showcase their work in a more relaxed setting, win a few new fans. For the audience, it’s a chance to see a bunch of different acts at once, with always the possibility that something marvellous will occur. So today, with nothing specific to do, I intend to relax and enjoy all that Hillside has to offer. But first, I’m gonna try and get just a bit more sleep …

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FREE MP3s

MP3 At 3PM: Casy & Brian

candb5988They’re loud, they’re rambunctious, and they’ll get you jumping all over the place in a matter of seconds. Casy & Brian sound like the energized result of the Blood Brothers meeting the Beastie Boys, who met up with Pennywise, who happened to be chilling with At The Drive-In. Casy & Brian’s new LP, Catbees, is a mish-mash of genres featuring hyper tracks such as “House On Haunted Hill” and “Animal Calls And Dancehalls.”

“House On Haunted Hill” (download):
https://magnetmagazine.com/audio/HouseOnHauntedHill.mp3

“Animal Calls And Dancehalls” (download):
https://magnetmagazine.com/audio/AnimalCallsAndDancehalls.mp3

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TAKE COVER!

Take Cover! Guided By Voices Vs. A German Choir

When is a cover song better than the original? Only you can decide. This week: A German choir takes on Guided By Voices’ “Goldheart Mountaintop Queen Directory.” MAGNET’s Edward Fairchild pulls the pin. Take cover!

Amid selections from the soundtracks of Footloose, Mamma Mia! and The Lion King, a school choir from Eschwege, Germany, breaks into a majestic rendition of Guided By Voices’ Bee Thousand classic “Goldheart Mountaintop Queen Directory.” The unexpected song choice must have left the audience wondering if the director smelled faintly of Miller Lite and cigarettes.

The Cover:

The Original:

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FREE MP3s GUEST EDITOR

Mark Mallman’s “The Incredible Urban Myth Of The Invincible Criminal” Part 4

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Mark Mallman is a musician of great endurance (he’s performed 52-hour marathon shows consisting of a single song) and great eccentricity (he sometimes appears as his lupine alter ego, Mallwolf). Now, as a companion piece to his most recent album Invincible Criminal (out on Badman and featuring guest vocals from the Hold Steady’s Craig Finn), Mallman has emerged as a great storyteller with a graphic novel due early next year. Featuring Marvel comics-style artwork by Stephen SomersThe Incredible Urban Myth Of The Invincible Criminal is being presented on magnetmagazine.com as an audio book with daily installments throughout the week. Read parts one, two and three.

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“The Incredible Urban Myth Of The Invincible Criminal Part 4” (download):
https://magnetmagazine.com/audio/TheIncredibleUrbanMythOfTheInvincibleCriminalPart4.mp3

When I lived alone, this wasn’t a common experience. Getting drunk and falling off the couch was a common experience. Here sat our antagonists, who both arrived at gunpoint in the following way: one through ignorance, and the other by bloodlust. The robot’s claw clutched onto the doorframe like Leatherface climbing out from behind a broken barn. We were part of an existential spelling bee where contestants are given a random word, and then quickly shot in the face. The robot reached into its chest cavity with a suicidal clanging. Out from its haunted innards, it pulled a small booklet. It dropped the booklet on the floor in front of me as some type of pathetic offering. In tiny lettering, it read, “instructions.” I looked at it with great suspicion. I burned through this secret owner’s manual with a mismatched, backwards confidence. The more I read, the more distant the world between us. In the index of the manual, I’d found nothing with respect to interdimensional vortices through analog television sets. What I learned, basically, is that the automaton was created in a special-effects department of a b-movie warehouse somewhere in the San Fernando Valley, and that it liked cheese. I got the thought in my head that the robot possibly came through the TV set on its own accord. That it was a science-fiction runaway—an exiled, maniacal tool who didn’t want his part in the movie to begin. Was it possible that my nemesis, the shape-shifting centipede, had also sprung to life through the same TV wormhole? Maybe finding away to get the robot back home would reveal a way for to get my stuff back and to kill the insect beast!

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VIDEOS

Film At 11: Goatwhore

Studded leather, upside-down crosses and a whole lot of hair appear in Goatwhore‘s video for “Apocalyptic Havoc,” a song from newly released fourth album Carving Out The Eyes Of God (Metal Blade). The group takes death metal to the absolute extreme, but what else would you expect from a band named Goatwhore? With screeching guitar solos and vocals straight out of The Exorcist, this song could probably melt the face of Satan himself.

[myspace]http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=61912082[/myspace]