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FREE MP3s

MP3 At 3PM: The Happy Hollows

happyhallows3731The Happy Hollows have a lot of weapons in their arsenal, but chief among them is vocalist/guitarist Sarah Negahdari. “Faces,” from the forthcoming Spells, gives Negahdari the perfect chance to show off her Polly Harvey-meets-Kim Deal croon. The Los Angeles band has opened for Silversun Pickups and Deerhoof in the past, and while the Happy Hollows are only playing a handful of gigs before the summer ends, Spells drops in October. As a bonus, here’s a second mp3: “Monster Room.”

“Faces” (download):
https://magnetmagazine.com/audio/Faces.mp3

“Monster Room” (download):
https://magnetmagazine.com/audio/MonsterRoom.mp3

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DAVID LESTER ART

Normal History Vol. 23: The Art Of David Lester

davidlesterhistoryvol23Every Saturday, we’ll be posting a new illustration by David Lester. The Mecca Normal guitarist is visually documenting people, places and events from his band’s 25-year run, with text by vocalist Jean Smith.

Michael is really big for 16. He crosses the patio where his 14-year-old sister is frolicking with two friends in an above-ground pool. Michael shuffles through puddles in a black dressing gown and Chinese slippers, his greasy shoulder-length hair swinging. The girls ignore him. “We really hit a wall with him in the spring, but now he’s doing better,” says Wayne. Michael sits down at the patio table, gobbles a peach and wipes his mouth on his filthy T-shirt front. On each of his oddly dainty fingers, he’s wearing women’s wedding rings. “I’m well-known for being humourless,” he informs me in a Rainman monotone. “Nightmares & Dreamscapes. May 4, 2004. 704 pages.” “Michael retains a lot of information about Stephen King novels,” Wayne explains. In a slightly higher voice, Michael says, “Celia, I’m going to tell you something that may surprise you.” “OK,” I say. “I’m not like other 16-year-old boys. I don’t think about sex or perversions.” “That’s good Michael,” Wayne says. “But Celia doesn’t need to know that.” “Desperation. Aug. 1, 1997. 560 pages. I’m going to put my Band-Aid on now,” Michael says, sliding his patio chair back noisily. I watch him trudge back to the house through the puddles. Wayne says, “I’m proud of him. He’s done a lot of hard work. He has Asperger syndrome, which is a type of autism that means he has problems interacting socially and he has very limited interests.” “I don’t mean to be crass,” I say. “But that describes a lot of the men I’ve been meeting through online dating.” Wayne laughs and says, “Well, it does occur in men more than women.” Tiny garden lights come on automatically. Back from the house with a Band-Aid in the middle of his forehead, Michael sits down heavily, rubs his head with both hands and says, “I’ve decided not to go to bed until Celia leaves.” I laugh and ask, “Are you tired?” “Yes, I’m fairly tired.” I glance at Wayne and catch a flicker of irritation. “Why don’t you tell Celia about the book you’re writing, Michael?” “Can I have a sip of your beer, Wayne?” “Sure.” Michael sips and burps loudly. “Thanks, Wayne. That’s good, but it has a powerful aftertaste.” “A powerful aftertaste, eh?” Wayne laughs, and turns to me. “We had some problems with the beer. Michael thought he should be allowed to drink beer whenever he wanted.” Michael sticks out his chin and says, “I didn’t quit for you, Wayne.” “I know you didn’t, Michael. You quit for yourself.” “It’s great to meet another writer,” I say to Michael, changing the subject. “I’m going to go and see the next teenage girl movie that comes out,” Michael says. “I just hope it doesn’t ruin my reputation as a horror writer.” “Do you think Stephen King only goes to horror movies?” Wayne asks. “I like writing,” I say. “Because I’m in control of every little detail.” “I like that too,” says Michael in a clear sweet voice. I say, “You can find inspiration for stories in the most unlikely places.” “I don’t want to be in any unlucky places,” says Michael. “Unlikely,” I repeat, but the girls in the pool are screaming, drowning me out. Wayne looks at me to see how I’m coping with construction of interaction that defines his life. The screaming gets louder. “Unlikely,” I say again. “Not unlucky. Unlikely, meaning unusual.” Michael acts like he understands. “Unlucky places, right.” “Well,” I say. “It’s time for me to get going.” “The Long Walk. April 1, 1999,” says Michael. “384 pages.”

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VIDEOS

Film At 11: Mt. St. Helens Vietnam Band

Mt. St. Helens Vietnam Band has debuted its video for “Albatross, Albatross, Albatross” (directed by Matt Daniels) in time to celebrate the one-year anniversary of its first live show. The group will begin touring with Japandroids in the U.S. and Canada on September 5.

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TIVO PARTY TONIGHT

TiVo Party Tonight: Imogen Heap

tivoimogen4763Ever wonder what will happen during the last five minutes of late-night TV talk shows? Here are tonight’s notable performers:

The Late Show With David Letterman (NBC): Imogen Heap
Singer/songwriter and ex-Frou Frou half Heap has just released her third solo album, Ellipse (RCA). Her performance of “First Train Home” was performed and recorded on Monday, but it airs tonight.

Categories
TOUR DIARY

Rock Plaza Central Tour Diary, Part 5

dons-driving5502Rock Plaza Central‘s 2007 album Are We Not Horses was an elaborately plotted and immaculately conceived album that brought the Toronto band’s Northern-gothic folk/rock accolades from both critics (MAGNET named it one of the year’s 10 hidden treasures) and academics (frontman Chris Eaton’s 2004 book The Inactivist was taught alongside Horses in a graduate English course at the University of South Alabama). Last month, RPC hit the road to support the release of this year’s … At The Moment Of Our Most Needing, and bassist Scott Maynard filed a tour diary for magnetmagazine.com. If you missed Rock Plaza Central this summer, catch the group on its U.S. tour with the Weakerthans in September.

Toronto, July 28
Well, wouldn’t you know, the fire alarm went off in the hotel just as I was getting back to sleep. Once I’d made sure it was, in fact, a false alarm, I stuffed the bell with a towel and tried again, but the damage had been done. I was fully awake and perhaps better off at the actual festival. So I hitched a ride down to the site, found my friends at Tent Majal and had my first beer of the day. And the music began. Reunited with our friends from Bruce Peninsula (somewhat appropriately in the rain), also Timber Timbre, Tressa Lavasseur, Buffy Sainte-Marie, Final Fantasy, Oh Bijou, etc. Hillside always puts on a good show. I was sad to have to leave it early, but we had agreed to do one more street festival in Chicago on Sunday afternoon, so off we went, early Sunday morning, to make it there by 4 p.m. Which we did, border crossing and all. Blake on the other hand, who had left the previous day and was already in Chicago, somehow got lost or misdirected and barely made it to the show on time. The poor comic they’d stuck up there to kill time between sets ran out of material pretty fast and suffered the jeers of the crowd while we set up and line-checked for what seemed an eternity, but eventually we got going. It was nice to play with Blake (Howard) again; the demands of family life on him have meant that we’ve been touring with another drummer for the past several months. In fact, Andy (Innanen) recently informed me that Hillside was his 50th show with the band. Afterward, we went out for dinner and drinks with Josh, our booking agent, and then we retired to the hotel for more drinks and some deconstruction and plotting for the future. That was it: the last show of the tour. Now I’m back in town and “real” life threatens to crash in on me. It can be difficult to adjust to coming off the road; it often involves a lot of time and depression. I call it post-tourmatic stress disorder. The garbage strike that began in Toronto as we left for this tour lingers on, and although the streets are fairly clear, the garbage receptacles are spilling over onto the sidewalks, and I can only imagine the state of the parks, which have been used as temporary dumping grounds until the dispute is resolved. I am reminded that for all the bitching and complaining I may do—this litany of annoyances about the road—I’d still much rather be doing what I do than anything else I can think of. As the old song says, “See you in September.”