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FREE MP3s LIVE REVIEWS

Live Review: Spoon, White Rabbits, Lancaster, PA, April 26, 2009

spoonlive550bMaybe it was the pastoral setting and the subtle effects of methane on the brain, or perhaps it was resentment stirred by the anal security guards and the “No Moshing or Crowd Surfing” sign posted in the entrance, but the crew that gathered to watch Spoon and White Rabbit perform at the Chameleon Club in Lancaster was as kooky as a reality-show judges’ panel. All five hipsters from Lancaster were there, mingling with frat kids from nearby Franklin & Marshall College and quite a few older—I mean some of them were pushing 60—fans.

Opening band White Rabbits are similar to Spoon but with double percussion and better bone structure. The Brooklyn-based sextet (whose upcoming album, It’s Frightening, was produced by Spoon frontman Britt Daniel) flaunted their versatility by trading off instruments mid-song, and their calculus-exam faces matched their keyboard-pounding, drum-smacking intensity.

The pungent head-shop odor I smelled when I first walked in quickly gave way to a mixture of sweat and beer once Spoon took the stage. Right in front of Daniel was a huddle of Lilliputians that I gravitated toward for safety and comfort. (I’m 4’1”.) Anyone over 5’6″ who attempted to block our view was harshly expelled by a spiky-haired hispanic chick who seemed to be the head facilitator of the midget brigade. During “Rhthm & Soul,” a pair of Paul Bunyans muscled to the front, their belt loops roughly level with my line of vision.

Spiky-haired chick: “Where do you think you’re going, Kobe Bryant? Get out of here! You’re like 6’10″—you can see from the bar!”

A veteran rock group like Spoon has a predictably well-honed act and a loyal following who’ll always emerge from a show saying, “Dude, that was freakin’ awesome!” While certainly entertaining, during both the Chameleon Club concert and their 2008 show in Philadelphia, the band doesn’t perform its best songs live. You can’t even attribute this phenomenon to obligatory “new stuff” bands play to promote a recent album, because Ga Ga (etc.) came out two years ago. Spoon sent up the crowd-pleasing “The Underdog,” which I think I heard in every movie trailer I saw last year. But where is “Chicago At Night” or “Telamon Bridge”? The set list played it safe tonight.

—Maureen Coulter

Spoon’s “30 Gallon Tank (Live)” (download):
https://magnetmagazine.com/audio/30GallonTankLive.mp3

White Rabbits’ “The Plot” (download):
https://magnetmagazine.com/audio/ThePlot.mp3

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GUEST EDITOR

From The Desk Of James Iha: Christopher Hitchens

jamesihaoe3f“I don’t think we’re going to threaten the Jonas Brothers,” says James Iha of Tinted Windows‘ self-titled debut, recently released on S-Curve Records. But the power pop generated by the multigenerational band—which also includes Adam Schlesinger (Fountains Of Wayne), Taylor Hanson (Hanson) and Bun E. Carlos (Cheap Trick)—is a teenage dream of catchy choruses and withering walls of guitars befitting the former Smashing Pumpkins guitarist. Iha is guest editing magnetmagazine.com all this week; read our Q&A with him to get a glimpse into the formation of Tinted Windows.

hitchens2h380Iha: Christopher Hitchens, the British-born journalist, literary critic, pugilist, heavy drinker and author of God Is Not Great: How Religion Poisons Everything, is one of my favorite thinkers and commentators. As a self-described “anti-theist” and former Trotskyite, he is a critic of the left as well as the right. Buy his books, catch him on CNN, MSNBC and Fox as a political commentator (check out the YouTube clips after the jump), or read his columns in Vanity Fair and Slate (here is an article he wrote on the beatification of Mother Teresa). He is always brilliant.

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FREE MP3s

MP3 At 3PM: Wye Oak

wyeoak400bAfter retreating to the Maryland countryside and their own living room to write and record a follow-up to 2008’s If Children, Andy Stack and Jenn Wasner, the two halves of Baltimore’s Wye Oak, have returned triumphant with The Knot (due July 21 on Merge). The album’s first single, “Take It In,” ebbs and flows in waves of delicate guitar melodies and fuzzed-out rock riffs. Wasner’s graceful vocals bind these fluctuations to create an indie gem that’s as wonderfully tangled as the rest of The Knot.

“Take It In” (download):
https://magnetmagazine.com/audio/TakeItIn.mp3

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THE OVER/UNDER

The Over/Under: The Hold Steady

hold-steady5501

When the Hold Steady formed in 2003, part of its mission statement was to combat the scourge of plastic dance rock and ’80s revivalism happening in its adopted hometown of New York City. Can a lovable band of underdogs produce such a thing as an “overrated” song? Given the near-unanimous critical praise of the Hold Steady’s output (MAGNET named Boys And Girls In America 2006’s finest album; read our feature on the band from that same year), we’re obliged to explore the possibility.

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GUEST EDITOR

From The Desk Of James Iha: Pop Songs

jamesihalogo“I don’t think we’re going to threaten the Jonas Brothers,” says James Iha of Tinted Windows‘ self-titled debut, recently released on S-Curve Records. But the power pop generated by the multigenerational band—which also includes Adam Schlesinger (Fountains Of Wayne), Taylor Hanson (Hanson) and Bun E. Carlos (Cheap Trick)—is a teenage dream of catchy choruses and withering walls of guitars befitting the former Smashing Pumpkins guitarist. Iha is guest editing magnetmagazine.com all this week; read our Q&A with him to get a glimpse into the formation of Tinted Windows.

dianewarren350Iha: I have become a fan of big, number-one pop hits. When I first explored music as a teenager, I used to think, “Who could possibly listen to this crap—let alone buy it?” But over the years I’ve come to respect and enjoy Max Martin, The Matrix and, of course, Diane Warren (pictured). Who are these names? They are the writers of yesterday’s and today’s biggest hits. Their words are trite, their melodies are massive, their arrangements calculating and cynical, and the performances are overwrought. But somehow, the best pop hits transcend all of this into something magical. Wherever you may travel—Brazil, New Zealand, Orlando—everyone heeds this universal call: “How Do I Live,” “Believe” and “My Life Would Suck Without You.” It’s hard to think of anything more beautiful.

Kelly Clarkson’s “My Life Would Suck Without You”:
https://magnetmagazine.com/audio/MyLifeWouldSuckWithoutYou.mp3