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FREE MP3s

Free MP3 From The Walkmen

walkmen366bThere aren’t nearly enough good New Year’s Eve songs. With the exception of a few gems—George Harrison’s “Ding Dong, Ding Dong,” Prince’s “1999,” Death Cab For Cutie’s “The New Year”—most NYE tunes veer toward the sappy and sentimental. The world doesn’t need another cover of “Auld Lang Syne” (unless the Flaming Lips are the ones doing the covering), but we’ll take “In The New Year,” the first single off the Walkmen’s most recent album, You & Me (Gigantic). If you’re already picking out next year’s ball-drop-countdown soundtrack, keep this song in mind: It’s full of messy guitar reverb, raspy vocals, organ and romance. In other words, perfect for that point in the evening when everyone’s tired and spilling champagne. The Walkmen hit the road with the Kings Of Leon on April 19.

“In The New Year” from You & Me (download here):

Categories
GUEST EDITOR

Handsome Family Values: Ivor Cutler

handsomelogo120eFor the Handsome Family, upcoming album Honey Moon—a collection of love songs due April 14—is a startling left turn. The husband/wife duo of Brett and Rennie Sparks still deals in spectral bluegrass and noirish folk forms on its ninth album, but gone are the ghosts and murder ballads that had painted them into a gothic-Americana corner. (Trust us, the album is still plenty weird. Love is weird.) The Handsome Family is guest editing magnetmagazine.com this week. Read our Q&A with Brett and Rennie about Honey Moon and a host of other topics.

ivorcutler320Brett Sparks: A Scottish poet, songwriter and weirdo, Ivor Cutler (1923-2006) became known for his regular performances on BBC radio, in particular his numerous sessions recorded for John Peel’s radio show. The Glasgow-born Cutler appeared in the Beatles’ Magical Mystery Tour movie; he also recorded sophomore album Ludo with Fab Four producer George Martin the same year. For live performances, he would often accompany himself on a harmonium. Cutler’s work is filled with a childlike surrealism. (He spent a good portion of his life as a teacher in both English boarding and public schools.) He recites his poems in a gentle Scottish burr, and this, combined with the absurdity of his subject matter, makes for unforgettable, head-spinning moments.

Photograph (c) The Estate of Ivor Cutler

Categories
THE BEST SHOW

Listening To “The Best Show”: 2/17/09 Episode

bestshowlogobA weekly review of The Best Show On WFMU, Tom Scharpling’s call-in/comedy/music show broadcast every Tuesday night from Jersey City. The three-hour program is available for free download at iTunes.

It’s The Best Show Awards show! Scharpling announces the winners in various categories, including Saddest Caller, Most Delusional Caller, Worst Caller, Best Guest, Lifetime Achievement Awards and Best Scrivener. As to the last category, Tom declared that “the dude from MAGNET, who hasn’t done a recap in a while” placed second! What a thrill!

Second place is an honor, except there were only two nominees: me and Omar, who recaps the show at recidivism.org. This has my blood up a little bit. I have to do better. Dig deeper. Show up for work once in a while. Tom brings it for three hours every week; I was too busy converting MAGNET’s library of Chokebore vinyl to microcassette. (Really, you wouldn’t believe how much Chokebore product we have around here.)

Regarding awards that were actually won, Ted Leo was honored for “The World Is In The Turlet,” a composition penned during a Best Show episode, with lyrics contributed by callers. Laurie from Miami won Best Caller, inexplicably. And no awards show is complete without someone crying; Tom broke down in remorse and ended the show abruptly without presenting the final trophy for Best Call.

We also have some catching up to do. Without further a dude [sic], here are the (mostly music-oriented humor) highlights from the past few weeks:

Categories
GUEST EDITOR

Handsome Family Values: The Salamander

handsomelogo120eFor the Handsome Family, upcoming album Honey Moon—a collection of love songs due April 14—is a startling left turn. The husband/wife duo of Brett and Rennie Sparks still deals in spectral bluegrass and noirish folk forms on its ninth album, but gone are the ghosts and murder ballads that had painted them into a gothic-Americana corner. (Trust us, the album is still plenty weird. Love is weird.) The Handsome Family is guest editing magnetmagazine.com this week. Read our Q&A with Brett and Rennie about Honey Moon and a host of other topics.

slamander370Rennie Sparks: Salamanders need a moist environment, so it’s not surprising that they like to live inside rotten logs; it is startling to throw an old log on the fire, however, and see a salamander leap out of the flames. Such occurrences, and the fact that salamanders are able to regenerate lost limbs or tails, are perhaps the reason that medieval alchemists believed the salamander to be an immortal creature forged out of fire. I wish I lived in a time and place when it was easy to believe in magical creatures born of fire. Still, it took my breath away when I once spotted a tiny salamander perched on a wet stone at the edge of a stagnant pond littered with old beer bottles.

Categories
LOST CLASSICS

Lost Classics: Flying Saucer Attack “New Lands”

tapem200bThey’re nobody’s buzz bands anymore. But since 1993, MAGNET has discovered and documented more great music than memory will allow. The groups may have broken up or the albums may be out of print, but this time, history is written by the losers. Here are some of the finest albums that time forgot but we remembered in issue #75, plus all-new additions to our list of Lost Classics.

:: FLYING SAUCER ATTACK
New Lands // Domino/Drag City, 1997
davepierce366c2Flying Saucer Attack was at the forefront of Bristol, England’s fertile mid-‘90s scene that included Massive Attack, Portishead and Amp. FSA mainman Dave Pearce indulged his love of krautrock, traditional British folk music and a post-shoegaze ambient aesthetic to forge records of uncommon beauty and passion. Nowhere near as fuzzed-out and lo-fi as its four predecessors (Pearce, who’d been wrestling with depression, claimed it marked his “second phase”), New Lands was still unmistakably FSA, from pulsing waves of treated and feedback guitar to massive, cresting dynamics to Pearce’s hushed vocals. New Lands is also fantastically vertiginous in the best, most My Bloody Valentine-esque sense.

Catching Up: After 2000’s Mirror, Pearce essentially vanished, turning up briefly for 2003’s Clear Horizon, a collaboration with Jessica Bailiff.

“Up In Her Eyes”:
https://magnetmagazine.com/audio/UpInHerEyes.mp3