Devendra Banhart’s Dearest Friends: 60 Videos, Part 3

DEVANDRALOGOWith the release of major-label debut What Will We Be (Warner Bros.), Devendra Banhart proves once again he has the potential to be one of his generation’s major players. His voice, with its careening vibrato and fuse-blowing intensity, sounds something like Marc Bolan’s, but his repertoire may be more all over the map than anyone making records today. He combines a love of arcane folk music with hard-rocking psychedelia and an ability to sing beautifully in English or Spanish, a skill he learned growing up in Caracas, Venezuela. He refers to himself, jokingly, as a “fake hippie,” but he appears to be the real thing, a refreshing return to the revolutionary thinking that once seemed capable of changing the course of human events. Who’s to say it couldn’t happen again? Banhart is guest editing magnetmagazine.com. Read our Q&A with him. For his posts this week, Banhart will be sharing 60 videos that are dear to his heart.

Karl Blau
One of the first shows I ever played (the third, I think) was opening up for Little Wings, the Microphones and Karl Blau. It was life changing; those dudes rocked (and still rock) my world. Karl has amassed a herculean catalog of classic albums; here’s his foray into a more dance-oriented sound. He’s one of the greats!
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Hermeto Pascoal
The superstar of Brasilian avant-garde; just watch this! He also used a pig, gently squeezing it to get cute (slightly frightening) squeals from it. Super badass dude. He also wrote a song every day of the year so everyone would have a song for their birthdays!
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Leslie Duncan
I listen to this song every single day. Listen for that little moment at the end where the “field recording” matches up with her maudlin lament.
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Karen Dalton
My favorite singer.
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MP3 At 3PM: The Lower 48

lower485373Kids these days–doing drugs, having promiscuous sex and, apparently, crafting beautifully delicate folk melodies. The Lower 48, an underage quartet from Minneapolis, has accumulated more buzz before the band members’ 20th birthdays than most rockers do in a lifetime. And their debut EP, Everywhere To Go (Grape Juice), only dropped November 3. Download “Transmissions, Pt. 1″ to get a sense of the band’s quirky take on classic folk melodies. Not too shabby, kids. Now there’s just the long wait til 21 …

“Transmissions, Pt. 1″ (download):

Kids these days – doing drugs, having promiscuous sex and, apparently, crafting beautifully delicate folk melodies. The Lower 48, a teenage quartet from Minneapolis, have accumulated more buzz before their 20th birthdays than most rockers do in a lifetime. And their debut, Everywhere to Go, only dropped last week. Not too shabby, kids. Now if only they were allowed to drink at their own gigs…

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Devendra Banhart’s Dearest Friends: 60 Videos, Part 2

DEVANDRALOGOWith the release of major-label debut What Will We Be (Warner Bros.), Devendra Banhart proves once again he has the potential to be one of his generation’s major players. His voice, with its careening vibrato and fuse-blowing intensity, sounds something like Marc Bolan’s, but his repertoire may be more all over the map than anyone making records today. He combines a love of arcane folk music with hard-rocking psychedelia and an ability to sing beautifully in English or Spanish, a skill he learned growing up in Caracas, Venezuela. He refers to himself, jokingly, as a “fake hippie,” but he appears to be the real thing, a refreshing return to the revolutionary thinking that once seemed capable of changing the course of human events. Who’s to say it couldn’t happen again? Banhart is guest editing magnetmagazine.com. Read our Q&A with him. For his posts this week, Banhart will be sharing 60 videos that are dear to his heart.

Head
Here’s a snippet from, I think, the greatest rock ‘n’ roll movie ever made. An entire franchise pulverized in one fell masterstroke. A classic. Jack Nicholson and Bob Rafelson produced it, and yes, that’s Zappa with the cow.
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Elis Regina
Whereas Nara is the high priestess, Elis is the great interpreter, the majestic hot mama of MPB! Ahhhh, she’s soooo gooood! Thanks, Binky, for showin’ me this performance!
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Luiz Bonfa
Easily one of my favorite guitar players. I bought a Giannini ’cause that’s what he played. I still haven’t figured out how to tune a guitar, but when I do, I’m gonna totally never learn this song!
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Little Joy
Here’s a little muzak trivia for ya; The young lady fallin’ into the water on the cover of Little Joy’s first album (from where this tune is taken) is my mom! Weird!
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Wrens Watch, Nov. 23, 2009

wrenswatchWe’ve been fans of New Jersey’s finest since even before their first album came out back in 1994, so let’s just say we’re used to sitting around waiting for them to take their sweet-ass time putting out new music. (Three albums in more than 14 years makes the Wrens about as prolific as Boston, which is kind of like being as tall as Buckminster Fuller.) As reported in a Wrens Watch Special Report, January 9 marked a huge milestone for the guys: guitarists Charles Bissell and Greg Whelan, bassist Kevin Whelan and drummer Jerry MacDonald. They issued “Pulled Fences,” their first new (well, sort of new) song since 2003’s The Meadowlands. Perhaps motivated by finally releasing something, the band convened—not in a real studio, but in Kevin’s basement—44 weeks ago to begin work on its new album. And not only that, the Wrens recorded an actual song (which you can download for free here). When we checked in with Bissell 41 weeks ago, he took exception with our good-natured sarcasm and quickly ended the interview. After ignoring us for a while, Bissell finally gave us a progress report; it seems that while other bands get together and record, the Wrens stay apart and talk to each other on the phone. Or they do nothing at all. Or they update their Facebook pagesThirty-six weeks ago, Bissell informed us he was “too busy” to respond to our questions, but he did promise us some exclusive Wrens mp3s in the near future. Thirty-five weeks ago, he didn’t even bother responding to our emails, prompting us to call him an unprolific Ryan Adams. That got Bissell’s attention, who 34 weeks ago apologized (profanely) and promised us an exclusive Wrens mp3 for the April 6 Wrens Watch. After not delivering, he said he’d come through the next week, but he didn’t. When Bissell ignored us again (Wrens Watch, April 20 and April 27), we speculated the Wrens were actually recording. Or maybe Bissell was just being a jerk. But then he told us 29 weeks ago he’d have a new Wrens mp3 for us. And guess what? The man finally came through. Download a demo of “Z,” which was written and performed by Kevin. We emailed Bissell numerous times to thank him for “Z” and ask him how the new record is progressing, but like we told you 27 weeks ago, he was unresponsive. He did email us a photo for 26 weeks ago, though, so we had that going for us. Which was nice. Twenty-five weeks ago, we got an email from Bissell saying, “Headed to bed but might have something for you.” As reported 24 and 23 weeks ago, other than a strange email from him referencing Fat Albert, we hadn’t heard from him since. Twenty-two weeks ago, we told you that Bissell, apparently on vacation, said he would have a new song for us “as soon as I get home on Saturday,” but he never came through. Bissell returned our emails 21 weeks ago, but he didn’t send any new Wrens music. He did, however, send a truly tasteless Michael Jackson joke, and since it was actually funny enough for us to tell it to others, we gave Bissell a pass. Twenty weeks ago, Bissell—on vacation yet again—emailed to say, “Maybe I can actually send a song to you after I get home Sunday.” Then guess what? He emailed us his first new Wrens demo, and like we told you 19 weeks ago, it’s a really good song. Eighteen weeks ago, Bissell emailed us to say he recorded another new demo, but he’s keeping that one for himself. He also said, “Smellmineitsucks,” whatever that means. Though we emailed Bissell repeatedly 17 weeks ago, we didn’t even get so much as a “Smellmineitsucks.” Sixteen weeks ago, Bissell sent this missive: “We gonna see ballgame this summer? And I don’t mean a view of you working your pockets on a street corner.” (We think Bissell just might have a shot at a cameo in the next Judd Apatow movie, Unfunny People.) Anyway, Bissell was supposed to respond to us with his thoughts on the recent 20th anniversary of the first live show by the band that eventually came to be known as the Wrens, but he didn’t. Fifteen weeks ago, we did get an email saying he didn’t have enough free time to “justify replying to explanatory spam from MAGNET,” so maybe Bissell is a (mildly) funny person after all. Fourteen weeks ago13 weeks ago and 12 weeks ago, we got nothing. Eleven weeks ago, we did find out that the Wrens have shows at Maxwell’s in Hoboken, N.J., scheduled for December 3 and 4, but we didn’t learn this from Bissell. Ten weeks ago, Bissell emailed us a number of times, but he didn’t answer any Wrens-related questions. We did find out that he was scheduled to play a solo benefit show in Brooklyn on October 28 with They Might Be Giants and Nada Surf (they should have called it Nerd Aid), but again, we didn’t learn this from Bissell. Nine weeks ago, when asked what was new with the Wrens, Bissell responded, “Nothing. No things. At all. No recording, no new songs, no get-togethers.” Eight weeks ago, we learned that the first Maxwell’s show will feature a setlist voted on by fans via the Wrens website (we requested “Brand New Apartment”), while the second will be comprised of as many news songs the band can play. You get the feeling the first show will probably be much longer than the second one. Seven weeks ago, Bissell emailed us to say the Wrens have added a third Maxwell’s show (December 4 at 7:30 p.m.), for which they’ll play The Meadowlands from start to finish. When we told him that Greg mentioned to us that the band has been working on 120 new songs, Bissell replied, “You know how it is, applying the uncertainty principle, both are true. Until you try to confirm either one. So yeah, remember, Kevin’s been demoing the last year or two for the first time? He’s now got more than 100 songs, some totally fleshed out, some just sketches, many really good. And he and Greg have been going over them a couple nights a week. So yeah, from one perspective, the record’s almost done. Nevertheless, we have not recorded a note, so the record is both well under way and yet not even begun.” Uh, that clears things up. Six weeks ago, all we found out was that the Wrens have a Washington, D.C., show scheduled for November 20 at the Black Cat. Five weeks ago, when we asked if there would be other shows that weekend, Bissell responded, “No, not this time. You know us. It’s like the Army Reserve: one weekend a month and just two weeks a year. Without the ‘two weeks a year’ part.” Four weeks ago, Bissell responded to our emails, but he said nothing of interest, other than he’d have some news soon. Three weeks ago, Bissell emailed to say the Wrens would be selling a limited-edition CD-R at the Maxwell’s shows that includes “really old pre-Silver songs and at least one new one.” We asked for a copy but still haven’t heard back. Two weeks ago, Bissell told us the band rehearsed twice and worked on getting its, uh, studio up and running. Last week, we got nothing. This week, Bissell emailed to say that while the Wrens continue to not record, they have been getting together to rehearse for their upcoming live shows. He added, ”And believe it or not, after a 20-year DIY spell, we’re taking on management. So in the future, I’ll have staff to reply to your emails.” We hope he’s kidding about that last bit.

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Live Review: Langhorne Slim, Philadelphia, PA, Nov. 19, 2009

langhorneslimOn a rainy Thursday night, three energetic bands took the stage at Northern Liberties venue Johnny Brenda’s. First up was April Smith And The Great Picture. Smith’s rag-doll appearance makes her larger-than-life vocals all the more stunning. Rock melodies combined with imaginative, Tom Waits-esque narratives resulted in a captivating first act. Though the audience was sparse during Smith’s set, she had most of us hanging on her every word. During “Drop Dead Gorgeous,” Smith crooned, “Is there anything going on in that pretty little head?/‘Cause if you’re just drop-dead gorgeous/You should just drop dead,” as she swung cheekily back and forth. At the end of her set, when Smith seamlessly slid into a few bars of Zeppelin’s “Whole Lotta Love,” the crowd had definitely fallen for Smith’s storytelling.

When Dawes took the stage, a large following of fans pushed its way to the lip of the stage to sing along to almost every one of the band’s Springsteen-inspired songs. Frontman Taylor Goldsmith seemed to draw a timeline of influence throughout his set: A toe-tapping blend of folk/rock with a country twang took cues from the plugged-in Bob Dylan, harmonies of Simon & Garfunkel and, on one song, the lyrical cadence of Social Distortion. While the fist-in-the-air percussion and sunny melodies were satisfying, some of Dawes’ lyrics were hard to stomach. On “Love Is All I Am,” Goldsmith preaches, “Love is not excitement/It’s not kissing or holding hands … Love is all I am.” Oddly, the gaggle of fratboys in the front row didn’t seem to mind.

At few minutes after 11, the stage lights dimmed and the crowd erupted in hoots and hollers worthy of a much larger venue. Langhorne Slim (a.k.a. Sean Scolnick) could not hide his enthusiasm at the feedback from the adoring audience; his energy is like a wind-up toy only briefly stopping between songs to gather strength again. His raw gospel sound carried over tenfold in a live performance with help from Malachi DeLorenzo (drums, vocals), Jeff Ratner (up-right bass, vocals) and David Moore (keys, banjo, vocals).

Bright, folksy songs such as “In The Midnight,” “Mary” and “Electric Love Letter” had the audience smitten. Scolnick used this energy to create a massive call-and-response, though he admitted, “I’ve never really been good at organizing anything,” and relinquished the responsibility to an overly enthusiastic fan. Perhaps it was the hype of the call-and-response, manic clapping and foot-stomping that had one fan in a tizzy, calling out song titles just one beer short of “Play ‘Freebird’!” Scolnick put said fan in his place several times. At one point, Scolnick shot back in a steady drawl, “I’m gonna be playing your upper lip in a second, buddy.”

The exchange quieted the fan but only threw the women in the audience into more of a frenzy. It was amazing to see the ladies in the crowd catcalling and screeching notes usually reserved for boy-band concerts. Perhaps Scolnick’s Pennsylvania roots—he hails from Philadelphia suburb Langhorne—explains the swooning. The set seemed to be just one tense build-up, culminating in a square-dance-sounding tune that had Moore playing so fiercely that streaks of blood from his fingertips stained his bone-white banjo. Even when the band left Scolnick onstage to perform solo, the energy lingered.

Though the clap ‘n’ stomp gospel tunes propelled the show, Scolnick also reached the audience with multi-faceted tales of love and life. As he strummed through “Diamonds And Gold,” he sang: “Take some chances/Allow yourself to get lost/You’re beautiful, baby/You’re the boss/You’ve gotta learn to get happy along the way” had dozens of couples in the audience nudging each other as if to say, “He’s talking to you!”

—Cristina Perachio

“I Love You, But Goodbye” (download):

“Say Yes” (download):

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Film At 11: Megafaun

After the July release of second album Gather, Form & Fly (Hometapes), Megafaun spent the summer touring with Bowerbirds, the Dodos and Bon Iver (featuring ex-bandmate, Justin Vernon). But if you happened to miss it, no worries; photographer Tim Lytvinenko most certainly did not. Just your luck, he’s combined his series of stills into a video, put to “Impressions Of The Past.” So sit back, relax and start working on growing your beard.

http://www.vimeo.com/7293049

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Devendra Banhart’s Dearest Friends: 60 Videos, Part 1

DEVANDRALOGOWith the release of major-label debut What Will We Be (Warner Bros.), Devendra Banhart proves once again he has the potential to be one of his generation’s major players. His voice, with its careening vibrato and fuse-blowing intensity, sounds something like Marc Bolan’s, but his repertoire may be more all over the map than anyone making records today. He combines a love of arcane folk music with hard-rocking psychedelia and an ability to sing beautifully in English or Spanish, a skill he learned growing up in Caracas, Venezuela. He refers to himself, jokingly, as a “fake hippie,” but he appears to be the real thing, a refreshing return to the revolutionary thinking that once seemed capable of changing the course of human events. Who’s to say it couldn’t happen again? Banhart is guest editing magnetmagazine.com. Read our Q&A with him. For his posts this week, Banhart will be sharing 60 videos that are dear to his heart.

The Kells
“Is you tweaking?!”
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PTV3
One of the greatest bands of all time, hands down.
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Nara Leao
Lots of people think of her as the high priestess of bossa nova. I have to agree with them.
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Throbbing Gristle
Before Psychic TV, we had Throbbing Gristle. One of the greatest bands ever. Genesis P-Orridge is an avatar of the highest order. Forever.
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MP3 At 3PM: Curtis Harvey

curtisharvey4135The former multi-instrumentalist/ frontman of Rex and Pullman is back with a solo album. Curtis Harvey’s intimacy and immersion in his new project are evident and beautiful. Recorded in his basement, most tracks were done in just one take. For the percussion, Harvey used “whatever happened to be around,” including bottles, pencils, pots, pans and old drums. His twangy music is sure to bring a smile to any listener’s face. Box Of Stones was released earlier this month on the FatCat label. Be sure to catch him during his mini-tour in December.

“Oldertoo” (download):

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In The News: Green Day, Belle And Sebastian, The Cribs, Liam Gallagher, Devo And Free MP3s

belleandsebastian550The impossible-to-pronounce but brilliant-to-listen-to Xiu Xiu has announced the release of its new album, Dear God I Hate Myself, which will be out February 23 on Kill Rock Stars … Indie rockers Aloha will also be making a return with its latest release, Home Acres, due out on Polyvinyl in March … If you just can’t get enough new records and you’ve got a moody pop/punk heart (and who doesn’t?), get ready for the newest Alkaline Trio album, to be released via its own label, Heart & Skull, in partnership with Epitaph. The as-yet-untitled album will be out in early 2010 … Country fans should jump on the newest release from Shout! Factory and the Country Music Hall of Fame: a two volume set of Country’s Greatest Stars Live, out on DVD January 26; the compilation features performances from Johnny Cash, Loretta Lynn and Dolly Parton, among others … Kieran Hebden, better known by his moniker Four Tet, will release his new album, There Is Love In You (Domino), in January and will embark on a brief tour in support … If you’re looking for a little Southern hospitality in your life, the Knoxville, Tenn., Big Ears Festival will take place March 26–28 with Terry Riley as artist-in-residence … Green Day is still getting some mileage out of 2004’s American Idiot. The band will re-record “21 Guns,” the second single from this year’s 21st Century Breakdown, with the cast of the stage version of American Idiot … Chicago duo Puerto Muerto will release its new album, Drumming For Pistols (Fire), in February … Canadian record label Paper Bag is turning seven (they grow up so fast!) and celebrating with The Seven Year Itch, a wicked (and free) compilation featuring cover versions performed by Sally Shapiro, You Say Party! We Say Die and Rock Plaza Central, among other. Download the album … To anyone who says punk is dead, take a listen to Carbon/Silicon, the project of the Clash’s Mick Jones and Generation X’s Tony James. The band just released The Carbon Bubble for free. Download the album … Iconoclastic rockers Tindersticks have announced the release of their latest album, Falling Down A Mountain (Constellation), due in February. Download “Black Smoke” … Belle And Sebastian side project God Help The Girl has had a busy fall, and it promises to be an even busier (and colder) winter. With its Stills EP available online, a handful of live shows and a film out soon, the band will be plenty busy until spring rolls around … Speaking of Belle And Sebastian (pictured), the group will begin recording its eighth album next year; band members are involved in a number of other side projects, including work with the Vaselines, Codeine Velvet Club, Snow Patrol and a Nick Drake tribute show … If you fancy yourself a DJ, Second Motion Records is giving you the chance to remix a track from Martin Kennedy And Steve Kilbey’s joint album, Unseen Music/Unheard Words. Anyone can download stems of each song on the LP and create a remix before December 31; the winning track will appear on a digital remix album … Scrappy Brits the Cribs are taking it stateside, with a full U.S. tour booked for early 2010, beginning in Chicago on January 13 … Lemonheads frontman Evan Dando is embarking on a solo U.S. tour beginning January 29, with performances of some Lemonheads classics promised … Speaking of going solo, Oasis singer Liam Gallagher, on a temporary-to-permanent hiatus from the seemingly disbanded group, has announced plans to start recording his first solo album next year … Cue sobs from emo girls around the world: Fall Out Boy is on “indefinite hiatus,” the band’s spokesperson has confirmed … Are they not men? Are they not Devo? The pop institution is releasing a limited-edition, four-disc set of its first and third albums, Q: Are We Not Men? A: We Are Devo! and Freedom Of Choice, available only online through the band’s website.

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Devendra Banhart’s Dearest Friends: “Behutet,” Miguel Ángel Asturias, Mário And Oswaldo de Andrade

DEVANDRALOGOWith the release of major-label debut What Will We Be (Warner Bros.), Devendra Banhart proves once again he has the potential to be one of his generation’s major players. His voice, with its careening vibrato and fuse-blowing intensity, sounds something like Marc Bolan’s, but his repertoire may be more all over the map than anyone making records today. He combines a love of arcane folk music with hard-rocking psychedelia and an ability to sing beautifully in English or Spanish, a skill he learned growing up in Caracas, Venezuela. He refers to himself, jokingly, as a “fake hippie,” but he appears to be the real thing, a refreshing return to the revolutionary thinking that once seemed capable of changing the course of human events. Who’s to say it couldn’t happen again? Banhart will be guest editing magnetmagazine.com all week. Read our Q&A with him.

Behutet40Behutet41Behutet43Behutet
I’ve been reading Behutet for years now. It’s the perfect travel companion: another world in an esoteric zine-like mini tome. Highly recommended for everyone.

Miguel Ángel Asturias
Mulata De Tal (”The Mulatta And Mr. Fly” in English) is one of my top five books of all time; had to put Miguel Ángel Asturias up here. It’s shockin’ to think this guy won the Nobel Prize for his book The President and this one’s out of print—what zee fucks???

Mário And Oswaldo de Andrade
Mário de Andrade and Oswaldo de Andrade are my favorite Brasilian poets; please check out by Mário’s novel, Macunaíma. Oswaldo wrote “Amor,” my favorite poem of all time, which goes as follows: “Humor.”

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